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第一篇：介绍西安的英语导游词
Today we will visit the city wall, the bell tower and the drum tower. Its my pleasure to serve you.
The ancient castle we now see is the Ming xi an city wall, which was built on the foundation of the imperial city of tangan in the early Ming dynasty. It is one of the most famous cities in the late middle ages of China, and it is the largest and most complete defense facility of ancient military castles in the world.
Xi an, as the ancient capital of the millennium, has built the wall many times in the past. Most of them are buried by the dust of history. The walls we see now go back to the sui dynasty. In 1369, the Ming dynasty moved xu da from shanxi to shaanxi, and changed the original fengtian road to xi an, meaning "western lasting peace and stability". It was the prelude to the construction of the wall in xi an. The eight - year - old wall shape is a rectangle. The wall is 15 meters high, 12 to 14 meters wide, 16 to 18 meters wide and 13.9 kilometers in circumference. The bottom layer is mixed with lime and glutinous rice juice. After drying, it is exceptionally strong.
The ancient city wall of xi an includes a series of military installations including moat, suspension bridge, gate building, archery building, zhenglou, tower, enemy building, parapet and crenel. Well, now lets feel the scientific, rigorous and complete military defense system in person.
The periphery of the wall is the moat, also known as the moat, which is the first line of defense of the wall. It can block an enemys attack, or even take advantage of the terrain to destroy the enemy. The moat around the city wall of xi an is 20 meters wide, and the gate is crossed over the moat, and the only access to the moat and the gate is the drawbridge. At ordinary times, the soldiers in the city of the city listened to the commander of the morning bell, lowered the drawbridge in the morning and opened the city gates. Hoist the bridge at night and cut off traffic. Once a war has occurred, the drawbridge rises, the gates are closed, and the gates become fortified and enclosed fighting fortresses.
The city gate is the focal point of the city defense system, also is the weak spot. At ordinary times, it is a passageway to and from the city. In war, it is also the primary goal of defending the two sides. Therefore, the Ming dynasty attached great importance to improving the city gate defense facilities. One of the most notable technological breakthroughs is the use of the arch gate to prevent enemy fire. Ming xian city gate is very solid, door leaf with 16 cm thick boards, a fan gate 2.8 cubic meters with wood, door leaf horizontal turn up and down the iron bar reinforcement, the interval of each two bars, 180 iron needle mushrooms nails. There are 1,800 iron mushroom needles on the door. This compels the wood of the door, increasing the rigidity of the door, so that the arrow cant be shot in.
In order to improve the insurance coefficient of the city gate defense, the gate is actually made up of three parts, namely, gate building, archway and main building. The gate tower is the most outside, its function is the lift suspension bridge. Its used to make more. The enemy entered the gate of the gate, as if entering the urn, and would be attacked from all sides, so this space downstairs is also called "wengcheng". The archery is in the middle, with Windows on both sides, for archery. The wall between the archery and the archery is also called "weng city", which can be tunneled. The building is the main building of the city gate, which is the main building of the city. On the outside of the wall, there is an enemy stand outside the main body, commonly known as the "horse face", every 120 meters. There are 98 horses on the whole wall, the building on the horses face is called the enemy building, and the two towers are 120 meters apart, and the other side is 60 meters, which is "a stones throw away". This layout makes it easy to shoot the enemy from the side. Therefore, the ancients commented, "there is a city without a platform, and without a city, it is a city, so the guard is there, and so is the city." On the outside of the wall there are short pheasants, also known as "battlements", with crenel and square holes for archery and lookout. The inside wall, called the parapet, is designed to prevent soldiers from falling into the wall while they walk. At the four corners of xi an city, there is a tower called the "turret". In the city of weng, which is formed in the archery and the building, there is a horse road leading to the head, which is convenient for the horse and the horse. During the war, this is the key point for the mobilization of troops, and must be kept clear. So the guards are extremely strict.
As the years change, now we can see changle of xi an city wall gate, AnDingMen, rosefinch door, including door, jade auspicious door light, etc., the origin of these names from one side also reflects the ancient city of ups and downs failure. The city wall of Ming xian shows the wisdom and wisdom of the ancient working people in China. Well, the city wall of xi an is here, and we will continue to take you to the bell tower.
Bell tower and drum tower are the unique buildings of ancient Chinese cities. Bells and drums were the earliest percussion instruments in China, with a history of more than 3,000 years. Originally as a ritual instrument and musical instrument. Since the spring and autumn period, it has been used for military command. The ancient Chinese cities had the nature of military castles. Besides the city walls, excavating the moat and setting up the suspension bridge, they also built the bell tower in the center of the city as the command center. At ordinary times, with the morning clock, the time of the report, the time to open and close the suspension bridge, the emergency condition is used to alert the police, command the city defense. This rigorous urban defense system reached its peak in the Ming dynasty. Xi an is a military and political town in the northwest of the Ming dynasty. Its bell tower and drum tower are the most similar buildings in the country, regardless of its size, historical value or artistic value.
What we see now is the bell tower, the building is located in xi an, north and south, east and west four street interchange, it was built in Ming seventeen years, the original is located in the west street meet auspicious view, with the shift in the centre of the city, in the Ming wanli decade, god will tower to a whole demolition, moved to address today.
The bell tower is typical of the Ming dynasty architectural style, the building is 36 meters high, the heavy eaves and arch, magnificent and solemn. It consists of a base, a building and a roof. The base is square, all made of blue bricks. The building, as a square wooden structure, is surrounded by a cloister, which is a two-story building with wooden ladders circling overhead. Inside and below the building inside two floors square hall, display the Ming dynasty since the Ming dynasty all kinds of precious porcelain and red nanmu furniture, all around the door is full of relief painting, the style is simple and vivid. The top of the building is a four-corner structure, covered with a green glazed tile, the top of the dome is 5 meters high, glittering and brilliant.
On the northwest corner of the bell tower is a Ming dynasty iron bell, weighing 5 tons. It is much smaller than the bronze bell that hung from the clock tower. The clock tower, which was originally hung, was a "jingyun bell" cast during the tang dynasty. Now the clock is in xi an stele forest. It is said that, although the style of the tower has not changed since it was moved to the present site, the jingyun bell is not going to sound. There is no alternative but to change. In order to move the jingyun clock to the new clock tower, an inclined bridge was built on the west side of the west street, and the jingyun clock was transported to the bell tower using the ramp. It is said that the "bridge" also got its name.
On the west wall of the clock tower, there are "bell tower song" and "bell tower" inscription. "Zhong Lou ge" is the shaanxi governor who built the bell tower in the same year. In the poem, the bell tower was praised enthusiastically. "The bell tower" is the governor of the bell tower, detailed description of the clock tower. On the door of the bell tower, there are 64 stories of carved wooden relief, including magnolia from the army, the moon and the moon, the book of liu yi, the sea of eight, and so on. After the founding of the Peoples Republic of China, the peoples government of xi an made three major repairs to the clock tower, which restored the ancient architecture to its former glory.
Compared with the bell tower, it is the drum tower. The entrance of the building is south to north, north to north gate and south west street. The drum tower was built in Ming for 13 years, and the bell tower is the sister building. On the north side of the drum tower, there is a huge drum, and the morning bell on the bell tower is known as the drum tower. The building is rectangular, with a height and width of 6 meters and a depth of 38 meters. The drum tower is a heavy eaves, glazed tile roof, heavy eaves and three drops of water. The building is divided into two layers. Under the eaves of the north and south, there was a plaque, which was written by emperor qianlong of the qing dynasty: "wenwu shengdi", which was written by li yunkuan, a scholar in xianning county. The outer eaves of the drum tower are decorated with dougong. Paint on the ceiling painted cloud patterns, antique, very beautiful. The bell and drum tower meet, making the ancient city of xi an more beautiful and spectacular. Well, this is the end of the bell tower tour. Thank you!
第二篇：介绍西安的英语导游词
hello everyone! My surname is su. You can call me "little Su Su".
Welcome to Xi'an. It is an ancient civilized city with a long history. In ancient times, more than ten dynasties including Zhou, Qin, Sui and Tang established their capitals here. Its prosperity has been more than 1100 years. It can be said that Xi'an is an important birthplace of the Chinese nation and Chinese civilization.
There are 72 mausoleums of ancient emperors around Xi'an. There are more than 700 ancient buildings (big wild goose pagoda, small wild goose pagoda, terracotta warriors and horses of Qin Shihuang, bell tower, ancient city wall, etc.), as well as Famen Temple in Baoji, Huashan Mountain in Xiyue, Huaqing pool, etc. At the same time, it is also the shooting place of many large-scale TV and movies, such as the front-end hot spots of "that year the moon was full" and "White Deer Plain".
The beauty of Xi'an is more than that. I hope you can experience it yourself.
When it comes to Xi'an food, it's mouth watering. As a native of Shaanxi and a responsible tour guide, I'd like to introduce you to the special food of Xi'an, Shaanxi. 1、 Mutton bubble bun, saw a bowl of thick and authentic mutton soup out, floating on a layer of transparent mutton oil. A basket of pancakes and a few sugar garlic become authentic Shaanxi flavor. 2、 Rougamo, in Xi'an, almost every staple food is made of wheat flour. Rougamo, a thick pancake, is cut into two halves evenly, and stewed pork is the most simple and delicious food. Oil noodles, thorn stem noodles, hollow noodles, Qishan whistle noodles, millet porridge all kinds of. Shaanxi people are looking for the true taste in simplicity.
Oh, let's all get off when we get to the wild geese. Please get off one by one in order. Don't be crowded. When you get off the bus, take the garbage bags with you. Don't litter. Pay attention to protecting the environment and be a civilized outsider with social morality. Thank you!
The beauty of Xi'an is endless. I hope you can enjoy it!
第三篇：西安兵马俑英文导游词
The passengers:
Everybody is good! B: my name is lu, I'm go to the guide of qin Terra Cotta Warriors. I'm very honored to serve you, hope we have a nice day today.
Now we're going to set off to the world-famous qin Terra Cotta Warriors.
You see, this great historical sites show in front of our eyes! Our xi 'an lintong has three qin Terra Cotta Warriors pit, a total of 3 20000 square meters, nearly 50 basketball courts, a pit of the Terra Cotta Warriors to nearly eight thousand. In three pits at the pit is the largest, 230 meters long, north and south 62 meters wide, with a total area of 14260 square meters; The pit of the Terra Cotta Warriors, of course, also the most, there are more than six thousand! Above the no. 1 pit has a huge vaulted hall. Into the hall, standing on high bird's eye view, will see the Terra Cotta Warriors pit, line by line, the process is very neat, formed a huge army of rectangle like qin shihuang had command of an army of fighting, invincible.
You look, the general burly, wearing a brown, wearing armor, sword in hand, with pride. Know it's the look on his poses battle-hardened, accountable.
The average height of the warriors, 1. 8 meters, trim. They dressed in a shirt to wear armor, feet front end up the cock combat boots, and armed with weapons, ready to go.
Look, the horse figurines in short armour, on foot mouth was wearing tight pants, boots right hand holding the REINS, left hand with bows and arrows, as if ready to mount a horse to kill.
Now we use one hour to watch slowly. Please take good care of cultural relics, don't litter. Thank you for your cooperation.
第四篇：西安兵马俑英文导游词
Ha! Hi, I'm happy "tour" of the tour guide. Today, I take you to xi 'an east 30 kilometers. In February 1974, the local farmers in the east of emperor qinshihuang 1.5 zone at the foot of the mount li qin Terra Cotta Warriors.
In that year, the emperor after he began to reign, and he began to build cemetery, hosted by prime minister lisi planning and design, general ZhangHan supervisors, build time for 38 years, engineering of vast, magnificent verve, the successive feudal rulers luxury lights of precedent. At that time, the qing dynasty a total population of about 20 million, and built ling labor was more than 720000. Xiu ling home soil, from 2000 meters south of this cemetery three between liu village to the county quarry department, there are 5 ~ 25 meters high multistage loess cliff. Fix cemetery used a large amount of stone from nutrient-laden hebei usagi nakayama, asan, depends on human to lintong, engineering is very difficult. Predictably large quantities, usagi nakayama, the corpse and under strict asan side shows the cruelty of the whole project. It is also known as one of "the eight wonders of the world"!
Qin Terra Cotta Warriors is divided into three pits, with a total area of 000 square meters. The Terra Cotta Warriors are robust, forms and more thoughtful! Figures are divided into general figurines, the side horse figurines, kneeling position figurines, figurines of cavalry, terracotta warriors... Among them, the no. 1 pit is the largest, 230 meters long, north and south 62 meters wide, about five meters deep. About 500, the warriors six chariots, driving, horse 24, and bronze sword, wugou, spears and arrows, crossbows, machine, copper halberd combat with weapons of bronze and iron, etc. They all facial expression, ' ', and action each are not identical: some thoughtfully, as if considering how to cooperate, defeat the enemy; Have a deep breath, as if in thought, as the people of qin, must help the emperor beat all places; Some look in the distance, seemed to be missing loved ones far away... Said so much warrior figures, the said the horse figurines: TaoMa ears erect, some mouths scream, some still shut up. All these of the qinshihuang terracotta warriors and touching artistic charm. If you hold your breath gaze of looking at it, you will find it muscle fullness, realistic than a real horse!
第五篇：西安秦始皇兵马俑英文导游词
西安秦始皇兵马俑英文导游词
Emperor Qin Shihuang’s Mausoleum and the Terra-cotta Warriors and Horses Museum
Emperor Qin Shihuang (259-210B.C.) had Ying as his surname and Zheng as his given name. He name to the throne of the Qin at age 13, and took the helm of the state at age of 22. By 221 B.C., he had annexed the six rival principalities of Qi, Chu, Yan, Han, Zhao and Wei, and established the first feudal empire in China’s history.
In the year 221 B.C., when he unified the whole country, Ying Zheng styled himself emperor. He named himself Shihuang Di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. Since then, the supreme feudal rulers of China’s dynasties had continued to call themselves Huang Di, the emperor.
After he had annexed the other six states, Emperor Qin Shihuang abolished the enfeoffment system and adopted the prefecture and county system. He standardized legal codes, written language, track, currencies, weights and measures. To protect against harassment by the Hun aristocrats. Emperor Qin Shihuang ordered the Great Wall be built. All these measures played an active role in eliminating the cause of the state of separation and pision and strengthening the unification of the whole country as well as promotion the development of economy and culture. They had a great and deep influence upon China’s 2,000 year old feudal society.
Emperor Qin Shihuang ordered the books of various schools burned except those of the Qin dynasty’s history and culture, pination and medicines in an attempt to push his feudal autocracy in the ideological field. As a result, China’s ancient classics had been devastated and destroy. Moreover, he once ordered 460 scholars be buried alive. Those events were later called in history“the burning of books and the burying of Confucian scholars.”
Emperor Qin Shihuang，for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the Guanzhong Plain. These palaces stretched several hundred li and he sought pleasure from one palace to the other. Often nobody knew where he ranging treasures inside the tomb, were enclosed alive.
Emperor Qin Shihuang’s Mausoleum has not yet been excavated. What looks like inside could noly be known when it is opened. However, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of Emperor Qin Shihuang’s Mausoleum was.
No.1 Pit was stumbled upon in March 1974 when villagers of Xiyang Village of Yanzhai township, Lintong County, sank a well 1.5km east of the mausoleum. In 1976, No.2 and 3 Pits were found 20m north of No.1 Pit respectively after the drilling survey. The terra-cotta warriors and horses are arrayed according to the Qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. This discovery aroused much interest both at home and abroad. In 1975, a museum, housing the site of No.1 and covering an area of 16,300 square meters was built with the permission of the State Council. The museum was formally opened to public on Oct.1, the National Day, 1979.
No.1 Pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters. It is an earth-and-wood structure in the shape of a tunnel. There are five sloping entrances on the eastern and western sides of the pit respectively. The pit is pided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. Thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. The battle formation of the Qin dynasty, facing east. In the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. They are supposed to be the van of the formation. Immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. They are probably the main body of the formation. There is one line of warriors in the left, right and west ends respectively, facing outwards. They are probably the flanks and the rear. There are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from No.1 Pit.
No.2 Pit sis about half the size of No.1 Pit, covering about 6,000 square meters Trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. The 2,000-year-old wooden chariots are already rotten. But their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. The copper parts of the chariots still remain. Each chariot is pulled by four horses which are one and half meters high and two metres long. According to textual research, these clay horses were sculptures after the breed in the area of Hexi Corridor. The horses for the cavalrymen were already saddled, but with no stirups.No.3 Pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. Now, No.2 and 3 Pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. The floors of both No.1 and 2 Pits were covered with a layer of silt of 15 to 20cm thick. In these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. Analysis shows that the pits were burned down by Xiang Yu, leader of a peasant army. All of the clay warriors in the three pits held real weapons in their hands and face east, showing Emperor Qin Shihuang’s strong determination of wiping out the six states and unifying the whole country.
The height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. They look healthy and strong and have different facial expressions. Probably they were sculpted by the craftsmen according to real soldiers of the Qin dynasy. They organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. The clay models were then put in kilns, baked and colour-painted. As the terra-cotta figures have beeb burnt and have gone through the natural process of decay, we can’t see their original gorgeous colours. However, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. They are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.
Thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. These weapons were exquisitely made. Some of theme are still very sharp, analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. Since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. This indicates that Qin dynasty’s metallurgical technology and weapon-manufacturing technique already reached quite a high level.In December 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of Emperor Qin Shihuang’s Mausoleum. These single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. The four horses harnessed to the chariot are 65-67 centimeters tall. The restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.
The chariots and horses are decorated with coloured drawings against white background. They have been fitted with more than 1,500 piecese of gold and silvers and decorations, looking luxurious, splendid and graceful. Probably they were meant for the use of Emperor Qin Shihuang’s soul to go on inspection. The bronze chariots and horses were made by lost wax casting, which shows a high level of technology. For instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. According to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. The excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the Qin dynasty.
No.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. After two-and-half years’ careful and painstaking restoration by archaeologists and various specialists, they were formally exhibited in the museum on October 1, 1983. No.1 bronze chariot hand horses are on display from 1988.
