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第一篇：介绍西安的英语导游词
Dear tourists:
There are hundreds of ancient city walls in China, among which the ancient city walls of Beijing, Nanjing and Xi'an are the largest. However, the ancient city walls of Beijing and Nanjing have been demolished or seriously damaged. The ancient city wall of Xi'an, which was built in 1370 ad, is still intact. When Japan came to Xi'an for a visit to China, they did not look at the pit of the terracotta warriors, the "eighth wonder of the world", but boarded the west gate tower, which was built more than 600 years ago, to appreciate the majestic appearance of the ancient city wall. Now, please come with me to visit the ancient city wall of Xi'an.
The origin of the city wall
Dear tourists, we have enjoyed the colorful and simple ancient city wall in the morning or sunset of the car shop these days. Now we come to the foot of the city wall, please walk on the wall tour.
You must want to know what the real meaning of the wall is. The word "city wall" was originally derived from the word "city". According to Shuowen, "Cheng" is the interchangeable word of "Sheng", and "Sheng" is to accept the people, so the original meaning of the word "Cheng" is to encircle the people and form a country, which leads to the meaning of city wall. The "city" of the Great Wall, known as the backbone of the Chinese nation, also means the city wall. But later, with the development of society, the word "city" contains the explanation of today's city.
The word "city" first appeared in the inscriptions of the Zhou Dynasty, which vividly reflected the military use of ancient city walls. The military function of the city wall is to protect the private ownership, and in ideology, the size of the city wall is the strict embodiment of the hierarchical patriarchal system. Obviously, the ruler built the city wall to protect himself and declare the national power. The Xi'an City Wall we see now is one of the most famous city wall buildings in Chinese history. It took eight years from the third year of Honwu in Ming Dynasty (1370 A.D.) to the eleventh year of Honwu (1378 A.D.). It was built on the basis of the imperial city of Sui and Tang Dynasties. After repair, it basically maintained the complete appearance of feudal city wall architecture, reflecting the outstanding achievements of ancient Chinese city building technology.
Scale, structure and facilities of city wall
Dear tourists, how big is the Xi'an city wall? What is its structure? According to the calculation, the perimeter of Xi'an city wall is 11.9 kilometers, including 2590 meters of East city wall, 2631.2 meters of west city wall, 3441.6 meters of south city wall and 3241 meters of north city wall. Such a scale is rare at home and abroad.
You can see a small city with a guard gate outside the four gates of the city wall, which is called the urn city. The so-called urn means that once the enemy enters, he will be attacked from all sides on the wall of the urn, just like a turtle in the urn, unable to escape. Outside the urn, there is also a small city called Yangma city. In ancient times, there was a fixed time for the gate to open and close.
After the gate was closed, people who had not yet returned to the city could go to Yangma city and the park around the city with their own sheep and horses to rest and wait for the gate to open before entering the city. The Yangma city in Xi'an was completely destroyed in the late Qing Dynasty. I remember that in 1986, about 17.5 meters outside the north gate of Wengcheng, Andingmen (West Gate) of Xi'an City, the north gate of yangmacheng was found, 5.5 meters long and 2.4 meters wide. Now you can see the restored Yangma city on the outside of the South Gate urn. The wall is 198 meters long and 9.5 meters high.
Outside the moat, there were four rammed earth cities named Guocheng, which arched the four gates. According to "Xi'an Fu Zhi" volume nine records: Tang Tianyou years, Han construction Dongguo town and Xiguo town. Song, Jin and Yuan Dynasties are all de to this. During the Honwu Period of Ming Dynasty, most of Dongguo small cities were wrapped up in big cities, and those left outside were called Dongguo new city. Xiguo town in the late Ming Dynasty. At present, only part of the wall of Siguan Guocheng remains, and Guomen only has its name on the place name.
Now we come to the northeast of Xi'an City, which used to be the royal city of the Ming and Qin Dynasties. In the early Ming Dynasty, Zhu Yuanjin appointed his second son as the king of Qin and ordered him to stay in Xi'an to strengthen his control over the northwest.
The whole city is divided into two walls. The outer city wall is called Xiao wall, which is made of soil. The inner city wall is called brick wall because it is built with green bricks outside. After the Ming Dynasty, Xiaoqiang was destroyed. During the reign of Emperor Yongzheng of Qing Dynasty, temples were built in Xi'an, and most of the buildings in the palace of King Qin were demolished, and the brick city was changed into the Eight Banners church. At present, there are only a few remnant parts of ramming Earth City in the brick city of Qin Wangfu.
When Xi'an city was built in Ming Dynasty, there were four gates: "Changle", "Yongning", "anding" and "Anyuan". The name of the gate is engraved on the blue stone gate outside the gate. The building built on the gate of the big city is called the city tower, also called the main tower, which is the command post of the commander guarding the city. The building built on the gate hole of Wengcheng is called Jianlou, because there are arrow windows on the wall of the building, which was used for shooting arrows at that time.
In the Republic of China, four gates were opened, commonly known as Xiaosi gate: Zhongshan Gate (Xiaodong gate), which was built at the east end of Dongxin Street to commemorate Sun Yat Sen; Wumu gate (Xiaonan gate), which is at the south end of Sifu street today; Yuxiang gate (Xiaoxi gate), which is at the west end of Lianhu Road, was demolished after liberation; Jiefang gate (small North Gate), formerly known as Zhongzheng gate, was built at the north end of Jiefang Road when Longhai Road was opened to Xi'an. In 1952, it was demolished because of the expansion of the railway station. After liberation, Xi'an also opened up new city gates, including Jianguo gate, Heping gate, Wenchang gate, Zhuque gate and Hanguang gate. The north wall has Shangde gate. The east wall has Chaoyang Gate.
Most tourists know that there were 98 enemy towers on the walls of Xi'an in the Ming Dynasty. However, in 1982, the Xi'an city wall management office found that none of the ancient enemy towers were left, and only some of them still had foundation stones. After that, Xi'an rebuilt 12 enemy towers, which were brick and wood structures, with two stories of double eaves and two corridors on the ground floor.
The ancient city wall facilities not only built the enemy tower and arrow tower to prepare for martial arts, but also built the Kuixing tower to sacrifice Kuixing, the God who dominated the cultural movement. Kuixing tower in Xi'an was built in the east of the South Gate Tower, which was destroyed by the fire. Later, Kuixing building was rebuilt on the original site, which is worth seeing.
第二篇：西安钟楼的英语导游词
Good morning everyone！
Today we will have three places to visit―the Bell Tower the Drum Tower and the City Well. First we come to the Bell Tower.
The Bell Tower, a classical building with carved beams and painted rafters, has been served as the symbol of Xi’an. It stands in the center of the downtown area where the north street, the south street, the west street and the east street meet. And the tower house a huge bell which in ancient times was use to strike the time every morning. This is how the tower got its name. now it is an important historical monument in shaanxi Province.
The Bell tower was first built in Ying Xiang temple in 1384 during the Ming dynasty. It was moved to its present site in 1582 as a result of the city‘s expansion program.
Ladies and gentlemen, There is a story about the Bell Tower. It’s said that the first emperor of Ming dynasty , Zhu yuanzhang , he was born in a poor family. Both his parent died when he was young, and he had to live a hard life. Later, he went to a temple to become a monk. When he ascended the throne, he was afraid of being deposed by someone of “real dragon”. Therefore, he gave orders to build bell tower all over the county to repress the “dragon spirits”. Xi’an has been the imperial capital city since ancient times. So the “dragon spirits ” must be very strong here. That’s why the bell tower in Xi’an was not only built earlier, but also bigger than the other ones in the country. The base of the tower is 1,337.4 square meters in size, 8.6 meters high and 35.5 meters wide. It was laid with blue bricks all over. The whole building is 36 meters above ground. It is a brick-and Cwood structure. The eaves are supported by colored “dou gong” a traditional structural system in which brackets are used to join columns and crossbeams, the use of dou gong made the whole building firm and beautiful.
Well, next we will visit the Drum Tower nearly.
The Drum Tower stands 500 meters to the northwest of the Bell Tower. It was built in 1380. There used to be a huge drum in the tower, which told the time at dark, and that is how the tower got its present name. Besides marking the time, the drum was also used to give warnings to people in times of war. The base of The Drum Tower is 1,924 square meters in size, and 34 meters in height. It was built with blue bricks. The Drum Tower has a rectangular shape and shows tier and the outside eaves are decorated with networks of wood arches.
At last, we will visit the famous city wall of Xi’an. The most complete and the best preserved city wall in china.
The city wall of Xi’an is an extension of the prior Tang dynasty structure. It was stared in 1370 and finished in 1378 and has a rectangular Cshaped construction. It is over 4 kilometers from the east to west and about 3 kilometers from the north to south. And the total length is 13.7 kilometers. It stands 12 meters high, 12-14 meters wide across the top and 15-18 meters thick at the button. On the top of the city wall, there is a rampart every 120 meters, which extends out from the main wall. The top of the rampart is at the same level as the top of the wall. The ramparts were built to allow soldiers to see those enemies who would try to climb up the wall. The distance between every two ramparts is just within the range of arrow shot from either side. This allowed soldiers to protect the entire wall without exposing themselves to the enemy. There are altogether 98 of them on the city wall and each has a sentry building on top of it.
There are four main gates of the city wall-one on each side-named the east gate, the west gate, south gate and north gate. The four gates of the city wall were the only way to go into and out of town. In Xi’an, each of the four gates consists of three gate towers. The main gate tower is called ZhengLou which is located on top of the main part of the city wall. It is the inner one and is also the main entrance to the city. Zha lou is the gate tower which a suspension bridge and located outside of the city wall. It’s used to lift and lower the suspension bridge. Jian lou is the arrow tower and located in between the Zhenglou and Zhaloutowers. There are square windows in the front and on the two sides to shoot arrows. Jianlou and Zhenglou are connected by walls and the encircled area is called Wongcheng in which soldiers could be stationed. From Wongcheng, there are also horse passages leading to the top of the wall. There are altogether eleven horse passages around the city.
A watch tower is located on each of the four corners of the wall. The one at the southwestern corner is round, probably after the model of the imperial city wall of the Tang dynasty. But the other three are square and are higher and larger than the sentry building on the ramparts. This shows the strategic importance of the corners of the city wall.
All right, we have finished visiting the famous city wall of Xi’an. Thank you.
第三篇：西安兵马俑英文导游词
Ha! Hi, I'm happy "tour" of the tour guide. Today, I take you to xi 'an east 30 kilometers. In February 1974, the local farmers in the east of emperor qinshihuang 1.5 zone () at the foot of the mount li qin Terra Cotta Warriors.
In that year, the emperor after he began to reign, and he began to build cemetery, hosted by prime minister lisi planning and design, general ZhangHan supervisors, build time for 38 years, engineering of vast, magnificent verve, the successive feudal rulers luxury lights of precedent. At that time, the qing dynasty a total population of about 20 million, and built ling labor was more than 720000. Xiu ling home soil, from 2000 meters south of this cemetery three between liu village to the county quarry department, there are 5 ~ 25 meters high multistage loess cliff. Fix cemetery used a large amount of stone from nutrient-laden hebei usagi nakayama, asan, depends on human to lintong, engineering is very difficult. Predictably large quantities, usagi nakayama, the corpse and under strict asan side shows the cruelty of the whole project. It is also known as one of "the eight wonders of the world"!
Qin Terra Cotta Warriors is divided into three pits, with a total area of 000 square meters. The Terra Cotta Warriors are robust, forms and more thoughtful! Figures are divided into general figurines, the side horse figurines, kneeling position figurines, figurines of cavalry, terracotta warriors... Among them, the no. 1 pit is the largest, 230 meters long, north and south 62 meters wide, about five meters deep. About 500, the warriors six chariots, driving, horse 24, and bronze sword, wugou, spears and arrows, crossbows, machine, copper halberd combat with weapons of bronze and iron, etc. They all facial expression, ' ', and action each are not identical: some thoughtfully, as if considering how to cooperate, defeat the enemy; Have a deep breath, as if in thought, as the people of qin, must help the emperor beat all places; Some look in the distance, seemed to be missing loved ones far away... Said so much warrior figures, the said the horse figurines: TaoMa ears erect, some mouths scream, some still shut up. All these of the qinshihuang terracotta warriors and touching artistic charm. If you hold your breath gaze of looking at it, you will find it muscle fullness, realistic than a real horse!
第四篇：介绍西安的英文导游词
介绍西安的英文导游词
Inside the fourth courtyard, there is a structure called the Phoenix Pavilion, a place where worshipers wait for services. The pavilion, in fact, is a complex of three small buildings. The six-gabled structure in the central part is adjoined by two three-gabled buildings on each side which make it look like a flying phoenix; hence its name. Just at the back of the pavilion there is a fish pond, and beyond it is a platform with an area of 700 square meters. Acrothe platform stands the 1,300-square-meter prayer hall. It holds over 1,000 worshipers at a time. The ceiling is decorated with over 600 panels. The walls of the hall, as well as the panels, are decorated with patterns of trailing plants and Arabic letters. The shrine at the western end of the hall is where the imam and worshipers chant the Koran and pay homage while facing in the direction of Mecca.
The Moslems in China share much the same customs with their brothers and sisters elsewhere in the world. They worship five times a day: at dawn, at noon, in the afternoon, at dusk, and at night.
The Constitution of China acknowledges that each citizen has the right freedom of religion, and that each ethnic group has the freedom to preserve or reform its own customs. Of course, the Moslems in China enjoy equal rights with other ethnic groups, and their religious beliefs and customs are respected everywhere in the country.
Huaqing Pool is situated about 35 kilometres east of the city of Xian. Historically, the Western Zhou dynasty saw the construction of the Li Palace on the spot. In the Qin dynasty a pool was built with stones, and was given the name Lishan Tang (the Lishan Hot Spring). The site was extended into a palace in the Han dynasty, and renamed the Li Palace (the Resort Palace). In the Tang dynasty, Li Shimin (Emperor Tai Zong) ordered to construct the Hot Spring Palace, and Emperor Xuan Zong had a walled palace built around Lishan Mountain in the year of 747. It was known as the Huaqing Palace. It also had the name Huaqing Pool on account of its location on the hot springs.
The Tang dynasty Emperor Xuan Zong and his favourite lady, Yang Gui Fei used to make their home at Frost Drifting Hall in winter days. When winter came, snowflakes were floating in the air, and everything in sight was white. However, they came into thaw immediately in front of the hall. It owed a great deal to the luke warm vapour rising out of the hot spring. This is the Frost Drifting Hall that greets us today.
第五篇：西安兵马俑英文导游词
西安兵马俑英文导游词范文
作为一名默默奉献的导游，常常要根据讲解需要编写导游词，导游词一般是根据实际的游览景观、遵照一定的游览路线、模拟游览活动而创作的'。那么一遍条理清晰的导游词应该怎么写呢？下面是小编收集整理的西安兵马俑英文导游词范文，欢迎大家分享。
Emperor qin shihuang’s mausoleum and the terra-cotta warriors and horses museum
In the year 221 b.c., when he unified the whole country, ying zheng styled himself emperor. he named himself shihuang di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. since then, the supreme feudal rulers of china’s dynasties had continued to call themselves huang di, the emperor.
After he had annexed the other six states, emperor qin shihuang abolished the enfeoffment system and adopted the prefecture and county system. he standardized legal codes, written language, track, currencies, weights and measures. to protect against harassment by the hun aristocrats. emperor qin shihuang ordered the great wall be built. all these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. they had a great and deep influence upon china’s 2,000 year old feudal society.
Emperor qin shihuang ordered the books of various schools burned except those of the qin dynasty’s history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. as a result, china’s ancient classics had been devastated and destroy. moreover, he once ordered 460 scholars be buried alive. those events were later called in history“the burning of books and the burying of confucian scholars.”
Emperor qin shihuang，for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the guanzhong plain. these palaces stretched several hundred li and he sought pleasure from one palace to the other. often nobody knew where he ranging treasures inside the tomb, were enclosed alive.
Emperor qin shihuang’s mausoleum has not yet been excavated. what looks like inside could noly be known when it is opened. however, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of emperor qin shihuang’s mausoleum was.
第六篇：西安秦始皇兵马俑英文导游词
西安秦始皇兵马俑英文导游词范文
导语：兵马俑是古代墓葬雕塑的一个类别。古代实行人殉，奴隶是奴隶主生前的`附属品，奴隶主死后奴隶要作为殉葬品为奴隶主陪葬。兵马俑即制成兵马形状的殉葬品。以下的是百分网小编为大家搜集的秦始皇兵马俑英文导游词范文，希望你会喜欢。
Emperor Qin Shihuang’s Mausoleum and the Terra-cotta Warriors and Horses Museum
Emperor Qin Shihuang (259-210B.C.) had Ying as his surname and Zheng as his given name. He name to the throne of the Qin at age 13, and took the helm of the state at age of 22. By 221 B.C., he had annexed the six rival principalities of Qi, Chu, Yan, Han, Zhao and Wei, and established the first feudal empire in China’s history.
In the year 221 B.C., when he unified the whole country, Ying Zheng styled himself emperor. He named himself Shihuang Di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. Since then, the supreme feudal rulers of China’s dynasties had continued to call themselves Huang Di, the emperor.
After he had annexed the other six states, Emperor Qin Shihuang abolished the enfeoffment system and adopted the prefecture and county system. He standardized legal codes, written language, track, currencies, weights and measures. To protect against harassment by the Hun aristocrats. Emperor Qin Shihuang ordered the Great Wall be built. All these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. They had a great and deep influence upon China’s 2,000 year old feudal society.
Emperor Qin Shihuang ordered the books of various schools burned except those of the Qin dynasty’s history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. As a result, China’s ancient classics had been devastated and destroy. Moreover, he once ordered 460 scholars be buried alive. Those events were later called in history“the burning of books and the burying of Confucian scholars.”
Emperor Qin Shihuang，for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the Guanzhong Plain. These palaces stretched several hundred li and he sought pleasure from one palace to the other. Often nobody knew where he ranging treasures inside the tomb, were enclosed alive.
Emperor Qin Shihuang’s Mausoleum has not yet been excavated. What looks like inside could noly be known when it is opened. However, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of Emperor Qin Shihuang’s Mausoleum was.
No.1 Pit was stumbled upon in March 1974 when villagers of Xiyang Village of Yanzhai township, Lintong County, sank a well 1.5km east of the mausoleum. In 1976, No.2 and 3 Pits were found 20m north of No.1 Pit respectively after the drilling survey. The terra-cotta warriors and horses are arrayed according to the Qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. This discovery aroused much interest both at home and abroad. In 1975, a museum, housing the site of No.1 and covering an area of 16,300 square meters was built with the permission of the State Council. The museum was formally opened to public on Oct.1, the National Day, 1979.
No.1 Pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters. It is an earth-and-wood structure in the shape of a tunnel. There are five sloping entrances on the eastern and western sides of the pit respectively. The pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. Thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. The battle formation of the Qin dynasty, facing east. In the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. They are supposed to be the van of the formation. Immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. They are probably the main body of the formation. There is one line of warriors in the left, right and west ends respectively, facing outwards. They are probably the flanks and the rear. There are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from No.1 Pit.
No.2 Pit sis about half the size of No.1 Pit, covering about 6,000 square meters Trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. The 2,000-year-old wooden chariots are already rotten. But their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. The copper parts of the chariots still remain. Each chariot is pulled by four horses which are one and half meters high and two metres long. According to textual research, these clay horses were sculptures after the breed in the area of Hexi Corridor. The horses for the cavalrymen were already saddled, but with no stirups.
No.3 Pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. Now, No.2 and 3 Pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. The floors of both No.1 and 2 Pits were covered with a layer of silt of 15 to 20cm thick. In these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. Analysis shows that the pits were burned down by Xiang Yu, leader of a peasant army. All of the clay warriors in the three pits held real weapons in their hands and face east, showing Emperor Qin Shihuang’s strong determination of wiping out the six states and unifying the whole country.
The height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. They look healthy and strong and have different facial expressions. Probably they were sculpted by craftsmen according to real soldiers of the Qin dynasy. They organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. The clay models were then put in kilns, baked and colour-painted. As the terra-cotta figures have beeb burnt and have gone through the natural process of decay, we can’t see their original gorgeous colours. However, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. They are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.
Thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. These weapons were exquisitely made. Some of theme are still very sharp, analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. Since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. This indicates that Qin dynasty’s metallurgical technology and weapon-manufacturing technique already reached quite a high level.
In December 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of Emperor Qin Shihuang’s Mausoleum. These single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. The four horses harnessed to the chariot are 65-67 centimeters tall. The restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.
The chariots and horses are decorated with coloured drawings against white background. They have been fitted with more than 1,500 piecese of gold and silvers and decorations, looking luxurious, splendid and graceful. Probably they were meant for the use of Emperor Qin Shihuang’s soul to go on inspection. The bronze chariots and horses were made by lost wax casting, which shows a high level of technology. For instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. According to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. The excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the Qin dynasty.
No.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. After two-and-half years’ careful and painstaking restoration by archaeologists and various specialists, they were formally exhibited in the museum on October 1, 1983. No.1 bronze chariot hand horses are on display from 1988.
