国王的演讲英语观后感(优秀范文五篇)

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第一篇：国王的演讲观后感

电影最后，国王发表第一篇抗战演讲前，莱诺和他都在紧张地准备着，乔治六世唱着、跳着、骂着……用各种各样的方式去面对自己的口吃。

最后，莱诺帮乔治六世喊出一句话：“我有权力被听见，我有权力被听见!”

那一刻，我心中一直压着的一块大石，仿佛瞬间不见了。

他出生在王室，然而他也会遭遇各种心理痛苦，他也想被听见，被保姆听见、被哥哥听见、被弟弟听见、被父皇听见……因为唯有“被听见才是被看见”，唯有“被听见才感受到自己的存在”。

他是个国王，他不得不去面对自己的.“口吃”以面对老百姓，可是，有多少老百姓没有这个与“口吃”抗争的机会，最后就变成压抑否认，沉默不说了呢――

反正说了你们也不懂，说了也没用，说了也没人理解……

我想到回家前我爸给我打了40分钟的电话，一接电话听见他酒气冲天的口吻，我便开始攻击了：

怎么又喝酒?不知道对自己好一点么?不要再跟我唠叨了，你只知道挑别人的毛病，怎么没有想过你自己的问题?所有人都这样说你，你为什么整天活在白日梦里?就不能赶紧醒过来看看现实么?! 整整40分钟，我跟我爸差不多就像上面这样拉锯扯皮，当然即便我俩在拿着武器相互攻击，目前也是比较好的状态，不然这电话打不了40分钟，早就炸锅了。

挂了电话，我想到自己在状态好的情况下，会非常理解和接纳我爸的喝酒和唠叨，然后发现当我真的听他说了之后，他也就没怎么继续唠叨下去了。

反倒是我越不听，他越要说。

或许，他只是想找个人倾听或者理解他而已，就这么简单。

我又想到自己有时做个案，几乎不会说什么，只是单纯地听案主说，案主说完，我问他的感觉，往往大部分案主回答都是“说出来后舒服多了”。

可能，他们应对生活是可以游刃有余的，根本不在乎你给出什么建议，只是在自己快要支撑不住的时候，需要有个人倾听一下自己，给个机会呼吸呼吸新鲜空气。

在PET父母效能训练中，很核心的一个方法之一就是“积极倾听”，当一个人被听见时，可能他生命存在的意义，就在那一刻升起。

第二篇：国王的演讲观后感

《国王的演讲》是一部英国影片，主要讲乔治二世的大儿子退位后，二儿子因口吃在大众面前出丑，当上国王的他闷闷不乐，他的贤妻找了一位没有名气的医生，利用看似奇怪的训练却让国王悄然改变……

这部电影没有催人泪下的情节；没有暧昧色情的故事；也没有血腥风雨的展现，但它呈现的事一个个人生哲理！

最让我敬佩的是那位医生。他公平待人，国王也不例外；他诚恳待人，一点一点地示范发音；他耐心待人，用心倾听每个语言障碍者的话语。用充满着幽默与风趣的谈吐化解国王被嘲笑的难过与心痛。虽然，有时让人觉得有些不知天高地厚，面对国王不仅不特殊对待，而且还叫国王小名。但有谁知道，医生的良苦用心。一个口吃的人必然情绪压抑，在众人面前别扭、尴尬，面对讽刺越发不相信自己，从而遮住了那闪光的优点和无限的潜力。在这时，国王最需要的是放松，愉快的交谈，感受身心的苏畅；感受如同父母的温暖；感受似朋友的抚慰。医生用一种别样的方式鼓励国王，让他找回自信。最后，他们也建立了特别深厚的友谊。我想，这样的医生在世界上应该是寥寥无几的，他们，是医生的骄傲！

而国王也是一位很棒的人，他虽然口吃，但他善良，对哥哥倍加关心，从没有夺位的念头。他也十分努力，在妻子的支持下，努力做一位好国王，为民众着想。有时国王会因为医生的激将法而愤怒或因自尊受损而恼火，但我看到了他忍受、包容的`一面，看见了他认真听取医生建议的举止，哪怕情绪并不太好。国王在坚持着，每天念绕口令，每天卷舌头，而有多少人能看见他背后委屈的泪水呢？或许国王很威风，但有多少责任和义务沉落双肩，或许国王可以命令任何人，但每件事要思考多少遍才可以下达命令。特别是当一位口吃的国王要代表民众的心声演讲时，当战争即将爆发要为全国同胞加油打气时，他们会不会觉得自己国家的国王无能，是个笑话？不！绝对不会！国王是他们的骄傲，人民是国王的自豪！一切都在改变，国王以自己坚定的信念与毅力克服了口吃，在全国演讲中抑扬顿挫，结束了，掌声雷动，这是一场成功的演讲！

人生的道路必然坎坷。人生就像汪洋，每个人都像一艘渺小的船，没有风平浪静的海，没有不受伤的船。在悬崖的边缘，你是否想过，一切皆有可能；在放弃前的犹豫时，你是否想过坚持会有收获。上帝是公平的，一个人的信念、自信与坚持不会比成功多出半纳米。相信自己，一切都有可能，坚持自己，没有天上掉馅饼，只有坚持才会有回报。调整心态，坦然面对困难，每一场暴风雨的洗礼后都让自己变得更加坚固，向每一种阳光的“可能”冲刺，坚信自己是最棒的！

第三篇：国王的演讲观后感

看这部电影当然是因为它在金球奖的表现～结果真的很厉害耶！

这是一个关于乔治六世的故事，乔治六世是英女皇的父亲。乔治六世从小就受着口吃病的困扰（科林费斯饰），国王乔治五世去世后，为了美人不要江山的爱德华八世亦把皇位让给了乔治六世。乔治六世是个善良的人，可是因为他的口吃，他就连读出一篇演讲词对于他来说都是非常困难的事。海伦娜（邦汉卡特饰）也是未来英女王的母亲到处帮他找医生，最后找来了语言治疗师莱昂纳尔（杰弗里拉什饰）。随着德国军卷起的战争，国家需要的是安定民心，于是乔治六世努力的练习改进他的口吃病，为的就是要对全国人民讲好一篇圣P演讲词！

没有任何特技，没有很迂回的情节，单挑拍摄技巧，单挑演技！片中的所有演员都演得很好，尤其是演乔治六世，海伦娜及莱昂的演员们。

科林演的乔治六世，虽然是受着口吃果扰，但也不失皇帝的气势，把角色的多面性都演出来了！重点是他演的口吃不纯是口吃，每一段口吃的戏他都给富予了原因的，这段是因为面对太多人紧张，下一段是因为生气为甚么讲不好所以口吃，亦有因为很想讲得好就越口吃，演绎是多层次的，每次看都能看到口吃背后的故事。

邦汉演的乔治六世的妻子亦演得很到位，不是一般定的王室的贤良淑德的形象，她演的妻子会支持国王，安慰国王，逼国王去看医生，给国王信心，把已经给人核板印象的皇后角色演得生动起来了！

杰弗里算是片中最幽默的一个角色了，可能是因为在戏里面他以前也是个演员的关系，所以他可以这样做！他和国皇的关系一开始是战战荆荆的，面对着国王的大怒，老师演出了恐惧，可是为了让国王明日他是可以克服口吃的，他敢与国王对抗，甚至骂国王！最后，他与国王都成了一辈子的好朋友了！

全片的镜头拍摄都有一个特色，就是WIDE SHOT非常正中的摆放，而在对话的拍摄里，把人物的头放置在画面的左右其中一方，这样的画面剪接起来的视觉效果反差很大，看起来很美！而且片中有很多画面都选择性的用了把国王置中CLOSEUP 的FOLLOW SHOT，而每次使用这个镜头手法国王所面对的情境都不一样，国王都在步出或者步入不同的情境里，在想事情的，就在那10秒当中，观众和国王的交流是变得那么的近啊！！虽然镜头的frame是取得非常正中的，但画面里的`人物却放置在偏左或偏右的位置，全片的构图和皇室的建筑有着紧密的连系。导演因应着皇室建筑的对称和刚好的比例，在镜头里也做了这样的调整，所以看电影看起来是那么有“英国皇室味”。

纵使整部电影很有皇室味，不过这并不让观众觉得有距离而没有同感。因为就算是国王，一个万人之上的国王，也是有他自己的缺点，他也是像平常人一样，一步一步的刻服困难。在布局这个故事是，我最喜欢的是开场。开场时，是一位BBC的广播员，认真的准备广播，为乔治六世的演讲做好准备，可是乔治一上台，却一句话都讲不出来，这样的对比强烈开场引起观众的很大兴趣，一直经过反反复覆困难重重的治疗，最后他演讲的那一慕是多么振奋国民的心啊！

第四篇：国王的演讲英文观后感范文国王的演讲英文观后感范文

国王的演讲英文观后感范文

《国王的演讲》讲述了严重口吃的艾伯特王子如何克服障碍，在二战前发表鼓舞人心的演讲的励志故事。今天学习啦小编在这里为大家介绍国王的演讲英文观后感，欢迎大家阅读!

Rarely do you get to see a movie that promises a lot and then, lives up to it's promise. The King's Speech is a rare piece,indeed.

The movie starts off with a stammering speech and signs off with a staggering one, with hardly any glitches in between. The basic premise of the movie is fairly simple. A king with a stutter is helped by a maverick speech therapist to overcome his problem and become an inspiring orator. That sounds like a very known territory to most movie goers. But few minutes into the movie, and you realize that this one simply pushes the bar a notch higher.

It is a very pleasing movie, doesn't lead the audience into a lot of uncomfortable questions. However, the artistry lies in the overall balance of the movie. You slowly start getting gripped by David Seidler's screenplay. The actors are superb, takes it slow and steady with superb grip on each of their characters. While Colin Firth puts in a spectacular performance (one you can't miss)， Geoffrey Rush goes a bit more old school and pulls off a subtle and deep portrayal. One that fills up your heart but also keeps your brain active. Humor comes in here and there, with a very easy flow and steady pace. Not for a single moment do you perceive the movie as dull. Helena Bonham Carter is good. Guy Pearce is appropriate, though he does look a bit too casual at times (maybe that was an intentional character flaw)。

Most of the movie had been filmed indoors, albeit with eloquent art direction. But the occasional sequences shot outside had been filmed very beautifully, portraying a very dreamy picture of the then England. Sometimes, the camera goes in too close to the characters, and stays there for a while, just long enough to give us a sense of suffocation, quite an artistic equivalent of a speech disorder ! But then again, negative shades had been whitewashed with joyous ones and you never perceive it as a dark movie. Direction wise, Tom Hooper is bang on ! This is the kind of a movie where you want to give a lot of credit to the director. The set-up is such that the dramatic elements are high but needs to be tamed, so that it doesn't goes over board. And Mr.Hooper hits the bulls eye ! Perfect balance.

All points considered, it's a brilliant movie and a must watch.

The King's Speech is both a lot funnier and, strangely, a lot more polite than you'd probably expect.

The humour mostly comes from Geoffrey Rush's speech therapist, who aims to cure Colin Firth's Duke of York's terrible stammer. And this is increasingly imperative; as the film begins, reigning monarch King George V (Michael Gambon) is ailing. There is some controversy over the next-in-line – Guy Pearce's Edward. Not only is Edward a bi-plane-flying, party-loving socialite but he is also in a relationship with American divorcee Wallis Simpson (Eve Best)。 Marrying her would cause a constitutional crisis – and potentially rip apart the Church of England.

With the advent of radio, the monarch must be able to speak well, and Firth may well be in the job sooner than he thinks. After trying many options, wife Helena Bonham Carter's Elizabeth finally turns to an Antipodean, specialising in some rather unconventional techniques, based on London's Harley Street. The Duke and the speech therapist form an unlikely friendship, verbally and even physically bouncing off each other with middle-aged abandon.

These scenes are the backbone of the film. They are funny, entertaining and performed by two actors obviously enjoying themselves enormously. Geoffrey Rush delivers great line after great line and Firth 'reacts' with a deadpan straightness. You'd wish there would be more of these moments. Additional comedy comes from some of the background characters. (www.lz13.cn)For instance, Timothy Spall's Winston Churchill rides the line of parody (mostly) successfully.

As for the film's politeness – some of it comes, predictably, from Firth's monarch-in-waiting. He's mild-mannered and sensitive royalty, and Firth employs a similarly understated approach than that of his work in A Single Man. The portrayal is quintessentially English, and as good as we've come to expect from Firth recently.

The remaining politeness comes from the film's level of drama. There are crown-loads of dramatic potential here – the troublesome father-son relationship between Gambon's truculent, demanding monarch and Firth's stammering son; the tension coming from the American interloper; the painful, unfolding, prelude to the Second World War playing out – but it's all background noise. Sometimes it feels forgotten about entirely, and historical perspective is, almost tastelessly, lost. And although there is a definite direction and development throughout the movie, there's only a sprinkling of edge-of-your-seat material. Any drama is tentative and inoffensive.

So, although there is a lot of humour, crowd-pleasing fun and some award-worthy performances, there is a lack of edge and darkness here. Triumph over adversity is fine if you get the measure of bitter and sweetness right. The King's Speech fails, and the end result is questionable and problematic.

Oscar nominations resulted in an immediate box-office boost on Tuesday, led by frontrunner The King’s Speech, which saw revenue surge 66% by the end of the day.

第五篇：国王的演讲英文观后感

This is a biopic about how King George VI, the father of Queen Elizabeth II, overcame his stuttering problem. Widely considered by all but his father unfit to be king, George is reluctantly thrust unto the throne and into the spotlight after his brother is forced to abdicate. Overshadowed on the global stage by powerful orators like Adolph Hitler and Benito Mussolini, the King relies on the help of a little-known Australian speech therapist named Lionel Logue to find his voice and courageously lead his people into the most devastating war humanity has ever faced.

This is a powerful, hilarious and deeply moving story, told against the backdrop of a critical juncture in modern history, of the emergence of a deep friendship out of a professional relationship between two men who would otherwise never have socially interacted. The screenplay, written by David Seidler （who also wrote Tucker: The Man and his Dream）， is excellent. The dry British wit is hilarious. I was literally slapping my knee during some of the scenes. Tom Hooper （Elizabeth I） does a superb job directing this movie. The buildup to the climactic finale is skillfully executed and prompted the audience to erupt into spontaneous applause. （Apparently, this also happened at the Roy Thomson Hall premiere.） Geoffrey Rush （Elizabeth: The Golden Age） does a fantastic job as Lionel Logue and Colin Firth （A Single Man） is excellent as King George VI.

I saw the second public screening of this movie at the Ryerson Theater during the Toronto International Film Festival （TIFF）.Tom Hooper was present to introduce the movie. He was joined by Colin Firth and Geoffrey Rush after the movie ended for a brief Q&A.

It turns out that David Seidler also had a stuttering problem as a child and drew inspiration from the kings struggle. Early in his career he wanted to write a screenplay about it. He dutifully asked the Queen Mother for permission. She agreed but told him "not in my lifetime". Little did he know she would live to be 101 and he would have to wait another 30 years.

Another interesting tidbit we learned was that near the end of the shoot, the crew finally located one of Lionel Logues grandsons, who just so happened to live about 10 minutes away from the director. They got access to Lionels diaries and correspondence and managed to incorporate some of it into the script.

This movie is an unqualified must see.