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第一篇：国王的演讲观后感
自知《国王的演讲》斩获奥斯卡四项大奖后就迫不及待想要看，怀着好奇又佩服的心情认真看完了此片，感慨颇多，不愧是大导演名演员之作。
影片以历史上英国乔治六世战胜口吃成功进行演讲为题材，讲述了一个国王战胜自己的奋斗史。1925年在温布利举行的“大英帝国展览”闭幕演讲，因为那时仍是艾伯特王子的口吃让他出尽洋相，自那以继配子一直帮忙丈夫寻觅一名超卓的语言医治师。直到找到杰弗利・拉什扮演的澳大利亚诞生的语言医治师――莱昂纳尔・罗格。父亲乔治五世于1936年归天后本应该是由那时还未称王的艾伯特的哥哥继位，但是哥哥爱德华八世爱漂亮人不爱江山，选择了退位，担子落在了并非想成为国王的艾伯特身上，最无奈最为难的是乔治六世口吃。在基于历史的情况下，电影围绕乔治六世和语言医治师罗格之间的友谊和乔治六世为克服口吃所做的尽力展开了细致入微的描述。
影片具有明显的教育意义，首先从国王的口吃来讲，是复杂的语言失调症，与后天因素有很大的关系，各类负面的心理情绪与外部压力，都会加重症状的恶化，所以首先要纠其病因，要打高兴结，医治心理创伤。在乔治五世过世以后，艾伯特向罗格袒露病因：母亲爱哥哥不爱自己，连保姆也不爱他乃至常常让他饿肚子，明明是左撇子却硬要被掰成用右手，于是他在强势父亲的光环下胆怯寡言，在兄长的不屑和嘲笑下丧失信心。因此他害怕面对父亲，面对兄长和公众。每一个人都会有自己的心里缺点，怯懦也是每一个人都有，问题在于是不是面
对，是不是担当。当兄长不爱江山爱漂亮人，当国家和人民需要他的紧急关头，他不断的尽力战胜自己的缺点，他对国家和人民的责任感是他战胜自己的动力源泉。这对咱们的启迪是咱们要有责任感，要勇于担当，不要轻言放弃，只要尽力就会有奇迹。
其次，最另我沉思的是国王与平民医生的朴素友谊。国王在兄长眼前口吃，在父亲眼前口吃，在第一次见到伯格时口吃，可是他在妻子眼前，在最爱的女儿眼前，在对他不骄不躁，最终博得他信赖的伯格眼前，口吃恍如痊愈，这说明什么呢？说明了人的沟通贵在平等，平等才能换来尊重，平等才能换来真挚的友谊。人也只有在自己信赖的人眼前展露自己。这点想咱们大家都能切身体会，比如咱们只有在自己最好的朋友眼前才会透露心声。
除影片内容外，不能不提演员的绝佳演技。影片没有煽情，没有惊喜，没有特效，没有大场面，没有夸大其词，没有惊心动魄，乃至没有峰回路转，如此能吸引观众眼球离不开两大主演的精湛演技。首先是柯林・菲斯，他塑造出了一个叫人又心疼又敬畏的爱国亲民的君主形象。他的口吃仿照得微妙微翘，我在看电影时丝毫没有怀疑他不是真的口吃，演出张弛有度，时而胆怯自卑，时而坚毅率真，时而睿智高傲。给人超级震撼的带入感。最令我印象深刻的是当艾伯特成为国王后，他的两个小女孩改称父亲为陛下，柯林・菲斯那一脸刹时的呆滞实在震撼到了我，我的心禁不住跟从着角色而心酸。
固然了，一个好的.演员是不是能够发挥极致得看对手的表现。伯格医生对自己的医术充满自信，有着灵敏的洞察力和交流能力。他尊重
国王但又不骄不躁，他自信奔放又内敛。杰弗利・拉什将这么一个矛盾体刻画得深刻动人。他的身体恍如可以流露他的心情。在与国王一路在街上散步，伯格鼓励艾威特即位，激怒国王后伯格那放长的身影另人深深顾惜。
本片在环境上也尽显英国皇室的沉稳与典雅。如诗如画的伦敦，隐于重重迷雾中的街道，高大的哥特式建筑，笔直的伞与华服，古旧的墙面，尊贵的大殿，让人沉浸于古典的英伦风情中不能自拔。
总之，欣赏这样一部佳作是一种精神上的享受，固然一部好的电影不只是局限于当下的触动，更在于给人恒久的启迪。
第二篇：国王的演讲观后感英语
This is a biopic about how King George VI, the father of Queen Elizabeth II, overcame his stuttering problem. Widely considered by all but his father unfit to be king,
George is reluctantly thrust unto the throne and into the spotlight after his brother is forced to abdicate.
Overshadowed on the global stage by powerful orators like Adolph Hitler and Benito Mussolini, the King relies on the help of a little-known.
Australian speech therapist named Lionel Logue to find his voice and courageously lead his people into the most devastating war humanity has ever faced.
This is a powerful, hilarious and deeply moving story, told against the backdrop of a critical juncture in modern history, of the emergence of a deep friendship out of a professional relationship between two men who would otherwise never have socially interacted.
The screenplay, written by David Seidler (who also wrote Tucker: The Man and his Dream), is excellent. The dry British wit is hilarious. I was literally slapping my knee during some of the scenes.
Tom Hooper (Elizabeth I) does a superb job directing this movie.
The buildup to the climactic finale is skillfully executed and prompted the audience to erupt into spontaneous applause. (Apparently, this also happened at the Roy Thomson Hall premiere.) Geoffrey Rush (Elizabeth: The Golden Age) does a fantastic job as Lionel Logue and Colin Firth (A Single Man) is excellent as King George VI.
I saw the second public screening of this movie at the Ryerson Theater during the Toronto International Film Festival (TIFF). Tom Hooper was present to introduce the movie. He was joined by Colin Firth and Geoffrey Rush after the movie ended for a brief Q&A.
It turns out that David Seidler also had a stuttering problem as a child and drew inspiration from the king's struggle. Early in his career he wanted to write a screenplay about it.
He dutifully asked the Queen Mother for permission. She agreed but told him "not in my lifetime". Little did he know she would live to be 101 and he would have to wait another 30 years.
Another interesting tidbit we learned was that near the end of the shoot, the crew finally located one of Lionel Logue's grandsons, who just so happened to live about 10 minutes away from the director.
They got access to Lionel's diaries and correspondence and managed to incorporate some of it into the script.
This movie is an unqualified must see.
