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第一篇：《汤姆・索亚历险记》读后感
本书描写了十九世纪密西西比河畔一个小镇人民的生活，可以说是当时美国社会生活的一个缩影。小主人公汤姆索亚和他的小伙伴幼稚而又认真的言行可以给我们很深的启示他们讨厌牧师骗人的鬼话不喜欢学校枯燥的教育与循规蹈矩的大人和孩子唱对台戏他们聪明活泼正直勇敢尤其是在一些重大事件发生的时候在正义与邪恶一较量中在危机降临的时刻他们能义无反顾地挺身而出。
汤姆是个聪明爱动的孩子，在他身上集中体现了智慧、计谋、正义、勇敢乃至领导等诸多才能。他是一个多重角色的集合，足智多谋，富于同情心，对现实环境持反感态度，一心要冲出桎梏，去当绿林好汉，过行侠仗义的生活。
小说塑造的汤姆？索亚是个有理想有抱负同时也有烦恼的形象，他有血有肉，栩栩如生，给读者留下了深刻的印象。在姨妈眼里，他是个顽童，调皮捣蛋，可是她却一次又一次地被他的“足智多谋”给软化了。
《汤姆-索亚历险记》是一部真切地反映了儿童充满童趣的生活的小说。马克？吐温写作时取材于自己儿时在故乡――汉尼拔小镇上的所见所闻、亲身经历的人和事。所以令人感觉十分真实有趣，孩子们或许能在书中的人物身上找到与自己相似的地方，而大人们也能在书中拾到些自己童年时的味道。所以，这本书是老少皆宜的。
书中充满着童真，童趣，可能与作者的经历有关。作者从小缺少父母的关爱，正因为这样才会把小时候的所见所闻写得如此淋漓尽致。马克？吐温以一个孩子的经历，细致地描写，处处透着童趣。成年人看着，也能重新体验一下童年的生活。
第二篇：怦然心动英语观后感
There are moments in adolescence when your feelings about romance turn on a dime. Maybe its hormonal.
The girl you thought was a pest becomes the object of your dreams. The boy youve had a crush on for years begins to seem like a jerk. The timing is off. Sometimes you can look back half a lifetime and see how things might have happened differently if you hadnt been so stupid. Rob Reiners "Flipped" does the looking.
Here is a lovely movie about a girl who has adored a boy ever since he moved into the neighborhood in the second grade. She even likes his smell, and it is true we cannot love someone who isnt aromatic to our hearts.
All through grade school and into high school, she pursues him; theyre like the runners in Keats “Ode on a Grecian Urn” who pursue each other for eternity without ever drawing closer. In Reiners film, they flip and start running in the other direction.
Madeline Carroll plays Juli Baker, who was determined to get Bryce Loski (Callan McAuliffe) to like her when they were kids, but in eighth grade has turned her attention to more urgent matters, like sparing the life of the beautiful sycamore tree in her front yard.
It is threatened with being chopped down by the forces of evil, and she climbs it and wont come down. That shows some character, muses Bryces grandfather Chet (John Mahoney). If he were Bryce, hed notice a girl like that. Bryce begins to catch on.
There are difficulties and the possibility of heartbreak. There always are in high school. You wear your sleeve on your heart. There are parents. Not everybody has parents like "Juno" did. If Juno had ordinary parents, her story would be a grim morality play. But "Flipped" doesnt haul in standard parents of teenagers. Reiner wisely casts gifted actors (Aidan Quinn and Penelope Ann Miller as the Bakers, and Anthony Edwards and Rebecca De Mornay as the Loskis). He knows that Mahoney can save a wise grandfather from cornball with sheer brute force of niceness.
Theres a screenplay device by Reiner and Andrew Scheinman, based on the novel by Wendelin Van Draanan, that could be arduous but works here because it has been thought through. The key events in the film are seen from both points of view: Bryces and Julis.
Teenagers often lose the beat emotionally, and these two need John Philip Sousa. There isnt trickery: The scenes happen as they seem to, and not in alternate universes. But they seem so different, depending on who is seeing them.
Theres one of those events so beloved by teenage girls in which they can exact excruciating embarrassment on boys while seeming to be blithely unaware. The boys are auctioned off to the girls as lunch room partners to raise money for charity.
Yeah, thats what a guy wants, to stand onstage while the most patronizing teacher in the school handles the bidding. Of course, it all goes tragically wrong for Juli and Bryce, but for what seems like different reasons.
Reiner sets most of the movie in 1963 (his classic "Stand by Me," is set a few years earlier, in 1959), and I dont think its just for nostalgia. In a way, thats the last year of American teenage innocence, before the 60s took hold. Madeline Carroll and Callan McAuliffe, who both look teeth-achingly vulnerable, are sincere and pure and wholesome, and are characters we believe can be hurt.
Some of todays teenagers are more wounded and cynical than their parents ever were. And for some of them sex is not an undiscovered country.
Maybe what makes "Flipped" such a warm entertainment is how it re-creates a life we wish wed had when we were 14. Thats true for adults, and also I suspect true for some 14-year-olds. In a way the audience flips, too.
第三篇：给教师的建议读后感
刚拿到《给教师的建议》这本书时，我心里一阵郁闷：这都什么年代了还看苏联时期的书？这书符合现代素质教育吗？……无奈校长之命难违，只得细细品味这本书。读完后，我不禁赞叹：苏霍姆林斯基不愧是伟大的教育家！他的教育理论令人折服！他的教育思想是永恒的经典！
感悟一：阅读的重要性。
1、阅读是对“学习困难的”学生进行智育的重要手段。
“我从来没有、一次也没有给这样的学生补过课，那种补课的目的就是让学生学会在正课上没有掌握的教材。我只教他们阅读和思考。阅读好比是思维受到一种感应，激发它的觉醒。”一个叫费佳的学生由令人头疼的学困生成了一名高度熟练的机床调整技师，他的成长经历使苏霍姆林斯基深信“学生的智力发展取决于良好的阅读能力。”是呀，阅读能启迪人的心灵，但对于给后进生阅读的指导是我教育教学中的空白，想想自己平时的做法无非是：花时间与后进生磨，然而多数时间是双方两败俱伤。
苏霍姆林斯基说“在后进生所读的书籍里，在他从周围世界里所遇到的事物中，应当经常发现某些使他感到惊奇和赞叹的东西……用惊奇、赞叹治疗大脑两半球神经细胞的萎缩、惰性和虚弱，正像用体育锻炼可以治疗肌肉的萎缩一样……在儿童感到惊奇、赞叹的时刻，好像有某种强有力的刺激在发生作用，唤醒着大脑，迫使它加强工作。”这是给我努力方向的钥匙，我要想办法让书籍成为我的学生的精神食粮，伴随他们健康成长。
2、教师获得教育素养的主要途径就是读书，读书，再读书。
“要把读书当作第一精神需要，当作饥饿者的食物。要有读书的兴趣，要喜欢博览群书，要能在书本面前坐下来，深入地思考。”从中道出了教师成长的秘诀――读书。“教师要多读书”这个观点已越来越为大家接受。可我有时却心有余而力不足，备课、上课、批作业、补差等已忙得我焦头烂额，哪有时间读书呢？只有在写论文、写计划、总结或上公开课时，才觉得自己有点黔驴技穷，才想起找一点书来，看看有没有可以借鉴的文章，有没有可以参考的教案。长此以往，周而复始，使得我不阅读也心安理得。无意中，我在网上看了一段对特级教师李镇西的视频访谈，他说：我们每天的吃饭、刷牙、洗脸需不需要毅力？不，这是习惯。我读书、写日记就像每天吃饭、刷牙、洗脸一样是自然而然的习惯。一语惊醒梦中人，我现在忽视了读书，忽视这习惯的养成，等于现在放弃了充实自己的机会，也等于现在失去了提高自我的最佳机会。
我相信每个教师都渴望自己才学渊博，上课旁征博引，学生身临其境，要想达到这样的境界与平时自己的广泛涉猎是息息相关的。专业书籍的阅读、领会以及再发挥与教育实践相结合，对于解决工作中的困难会有裨益；非专业书籍的阅读同样重要，它会从另一个角度来拓宽我们的思路，更加广阔地增加我们的智慧。我会牢记书中所说“教科书在你眼里看来就浅显得像识字课本一样。只有在这样的条件下，你才可以说：为了上好一节课，你是一辈子都在备课的。”读书是一辈子的事情，贵在持之以恒，贵在养成习惯。
感悟二：评分应当是有分量的。
“评分宁可少一些，但是每一个评分都要有分量、有意义。”“如果学生由于这样或那样的原因和情况而没有能力掌握知识，我是从来不大不及格分数的。”作为班主任为管理班级，我制定了一系列评分机制，我要求学生在早读、课间活动、文明午餐和做操这四个方面进行评比，有每天的值日小干部记载情况，我根据记载情况一周总结汇总一次，对表现好的学生进行奖励，或是一本本子，或是一颗星等，同时对于扣分多的学生指出其努力的方向。我自以为做的不错，细想其实有时的评分太笼统，不够有分量，缺乏针对性，明显感觉这学期的效果不如上学期。再有我的英语教学方面，学生每天的口头作业完成情况，每次检查我都帮学生打好等第，有时急起来“较差”俩字“唰唰”写上了，有好几次个别女生被我弄得哭得稀里哗啦，现在想想真是糊涂，这样的评分根本没法激发学生学习的积极性，反而挫伤了学生的自尊和自信。
感悟三：正确对待后进生。
“我们当教师的人应当记住：对于每一个学习困难的儿童、不管他已经被耽误到了什么程度，我们都应当让他在公民的、劳动的、精神的生活道路上站住脚。我们崇高的使命就在于：要使我们的每一个学生选择这样一条生活道路和这样一种专业，它不仅是供给他一块够吃的面包，而且能给予他生活的欢乐，给予他一种自尊感。”对于后进生我恰恰关注的更多的是他的学习，教材中要求掌握的，我会千方百计让他掌握，手把手地教，不厌其烦，为了他的成绩能提高一、两分，我倾注了心血，牺牲了休息时间，经常弄得自己身心疲惫不堪，曾经多次反问自己：这样做对吗？对学生的发展有用吗？读了这本书我决定做到“不要强迫儿童尽量长久地死抠书本”，而“要培养智慧，发展大脑，教他去观察世界，发展儿童的智力。”
“在每一节课上，每一个学习困难的儿童都应当在认识的道路上迈出哪怕是最不显著的一步，都要取得一点点成绩……”这将成为我每一节课的目标。
品味《给教师的建议》一书，就如与智者交流，解决困惑，指引前行，洗礼心灵。它将是我工作、学习中的导航灯。
