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第一篇：英文导游词结尾
Little meng thanks everybody's all the way support to my job and understands that also in here.
Hope that everybody gets chance to come to Dalian again, small Meng and my location (所在)__ travel service will be that you provide (提供)the service using more well.
Wish everybody's returning journey all smooth God-speed finally!
第二篇：英文导游词篇四丽江壁画
Ten kilometers (six miles) northwest of Lijiang Old Town, there are several ancient villages, including Baisha, Dayan, Shuhe, Yangxi and Xuesong. There, the invaluable Lijiang Mural is stored, preserved and displayed in 15 venerable temples, such as Juexian, Wande, Guiyi temples and Sanbi Garden. Altogether, the mural used to include more than 200 pieces of fresco. However, hundreds of years of historical vicissitudes have left only 55 pieces in good condition. The most famous frescos are known as Baisha Mural of the Dabaoji (Great Treasure) Palace and the Colored Glaze Temple (Liuli Dian) in the town of Baisha.
Most of the temples were built from the early days of the Ming Dynasty (1368-1644) to the early Qing Dynasty (1644-1911), and the Lijiang Mural was created at the same time, over the course of about 300 hundred years. In Lijiang, it was an era of rapid economic development, mutual acculturation of multinational culture, and the growth of religions. Accordingly, Lijiang Mural was an artistic representation of this cooperation, communication and progress. The authors of these mural paintings had come from different nations, including the local Naxi Dongba painters; the Taoist painter Zhang from the Central Plain; an Lama artist Guchang; Han painters Ma Xiaoxian and Li Zeng; and many other artists who were unknown to the public
The originality and figures of the mural paintings reflect the different religious cultures and artistic forms of Buddhism, Lamaism, Daoism and the Naxi Dongba religion, as developed in a Naxi school. Therefore, Lijiang Mural is quite different from other frescos. Each painting includes at least one hundred portraits, but perspective is used very well, and the close, middle and establishing images are clear. The various lifelike portraits are not only Buddhas but also ordinary people such as bureaucrats, criminals, tourists and executioners. Many of the scenes and subject matters are drawn from daily life-people are shown fishing, riding horses, weaving, dancing and casting iron. The painters used different methods of portrayal within the different elements of the fresco, such as flesh, garments, jewelry, weapons and many other components. The style of these true-life frescos is rural and unconstrained; the colors are strong and have intense contrast but are also unified. The Lijiang Mural fully demonstrates the superb artistic skills, outstanding creativity and rich imaginations of these excellent craftsmen. The vivid and exact figures, flowing lines, well-defined colors and powerful effects of the exquisite details make the Lijiang Mural not only the rare treasure of art, but also forceful proof of national solidarity and an important source of information for research on national religions, arts and history.
第三篇：英文的导游词
the great mosque at huajue lane
the mosque is a major spot for religious activities of over 60.000 moslems in xi’an, likewise, an important cultural relic protected by the provincial people’s government. unlike the arabic mosques, with splendid domes, the minarets reaching into the clouds, the coulourful engraved sketches with dazzling patterns, the mosque here in xi’an possesses much chinese traditional touch in both its design and artistic outlook; besides the style peculiar to islamic mosques, this mosque also holds characteristics of chinese pavilions with painted beams and engraved ridgepoles.
however, any further discussion about the mosque will be futile unless anything of the introduction of islam into china is brought up.
islam as a religious order was founded in the early period of the 7th century a.d. and was introduced to china in the mid-600s. at that time, arabian merchants and travelers came to the northwest of china by way of persia and afghanistan and thus established diplomatic, trade, and military contacts with china. in the meantime, another route saw a batch of sea voyagers through bangladesh bay and the malacca strait to china’s guangzhou, quanzhou, huangzhou, yangzhou and other cities where many of them settled down and married the local women who later gave birth to babies who then became moslems.
however, massive immigration of the moslems to china did not take place until as late as the early period of the 13th century, when genghis khan, as a result of his expedition against the west, had conquered vast expanses of land stretching from central asia to eastern europe, including the north of iran. many of the moslems in the conquered areas were thus forced to enlist and later settled in china.
among the enlisted many were soldiers, and some were smiths and officials who were called the hui people in the history books on the yuan dynasty. the hui people later followed kublai khan down to the south, helping him unifying china and then establish the yuan dynasty. in the wake of the conquest, islam spread all over china and mosques began to appear everywhere. in the yuan dynasty, many moslems held positions both in the military and civilian organs of the country. and a lot of the moslems took part in zhu yuanzhang’s uprising in the early 14th century and made great contributions to the founding of the ming dynasty. therefore, all the emperors of the dynasty issued mandates to protect islam, and to set up mosques in praise of the moslems for their feats. in the early 16th century, islam predominated qinghai on the minority nationalities including the huis, the uygurs, the kazaks, the kirgizes, the tajiks, the tartars, the ozbeks, the dong xiangs, the salars and the bonans. the moslems in xi’an are mainly the huis, being a small portion out of the ten million in china.
the mosque at hua jue lane is the largest in xi’an, and at the same time, it is also one of the earliest built on a comparatively large scale, and well preserved mosques in china.
according to “the stele on the building of the mosque”, the mosque is said to be built in the tang dynasty. however, the architectural style of the mosque suggests a possible building dating back to the ming dynasty. the four courtyards of the mosque cover an area of more than 12,000 square meters, out of which about 4,000 are occupied by various structures. the still intact wooden front memorial gateway of the front yard, built at the turn of the 17th century, with glazed tiles on the top, spectacular corners and upturned eaves, is about 9 metres high, and has a history of about 360 years. the stone memorial gateway in the center of the second courtyard is flanked with a tail stele on either side with dragons carved on each, recording the repair work ever since the building of the mosque. on the back of one of the steles are engraved characters by the master calligrapher mi fu, “may buddhism fill the universe”, on the other, “royal -bestowed”by dong qichang, another master of the same art of the ming dynasty. they are treasures in chinese calligraphy. at the entrance of the third courtyard is an imperial built hall, where a “month tablet”, showing the calculation of the hui calendars in arabic, is stored. it was compiled by a man in charge of the mosque called xiao mining in the early period of the qing dynasty. a three Cstoreyed octagonal wooden structure called “retrospection tower”also stands in the center of the courtyard, which has the same function as the minaret in islamic temples in arabic countries, and which is a place from where orders were sent to call the moslems to come to worship. respectively, on the south and north wings of the tower, are a reception chamber and a scripture chamber, both elegantly laid out. the five wooden houses, which are called “water houses”in the southwest section of the mosque are the place where the believers bathe themselves before they attend their services. and in side the fourth courtyard there is a structure called “the pavilion of phoenix”, a place where the worshipers used to wait for the services. the pavilion, in fact, is a compound structure of three small buildings. the six-gabled structure of the central part, adjoining the two three-gabled buildings on each side looks very much like a flying phoenix, and hence its name. just at the back of the pavilion, there is a fishpond, beyond which is a platform occupying an area as large as 700 m2. across both ends of the platform stands the 1,300 square metered service hall, holding over a thousand worshipers at once. there are over six hundred sunk panels well as the sunk panels, are decorated with patterns of painted trailing plants and arabic letterings. the imam leads his group of worshipers, while facing in the direction of mecca, to chant in koran and to pay their religious homage.
the moslems in china share very much the same customs with their brothers and sisters elsewhere in the world. they worship five times a day: at dawn, at noon, in the afternoon, at dusk, and at night. female worshipers attend their services in a separated place from their brothers, usually at home. moslems pay special attention to their health and see that they always wear clean clothes. they are teetotalers not only of wine, but also of pork and animal blood for in koran pigs have been mentioned four times as being “unclean”. according to koran, a man can have four wives and women should wear veils when they go out. however, except a few places in xinjiang, the chinese practise monogamy and women are veiless when they go out. upon his death, a moslem has to be “thoroughly cleaned”(thoroughly bathed), has to be put on “ke fan”(to be shrouded with a piece of white cloth) and has to be buried coffinless in the ground, with an imam reciting scriptures at the funeral.
the chinese constitution promulgates that freedom of religion of each citizen and freedom of preserving or reforming local customs for every nationality are permitted. and of course, the moslems in china enjoy equal rights with peoples of other nationalities and their religious beliefs and customs are respected everywhere in the country.
第四篇：英文导游词
Shennongjia Scenic Area
The Shennongjia district in remote northwestern Hubei has the wildest scenery in the province. With heavily forested mountains of fir, pine and hemlock -including something rare in China, old-growth stands -the area is known as a treasure trove of more than 1300 species of medicinal plants. Indeed, the name for the area roughly translates as Shennongs Ladder to commemorate a legendary emperor, Shennong, believed to be the founder of herbal medicine and agriculture. According to the legend, he heard about some special plants growing up high on a precipice, so he cut down a great tree and used it to climb to the site and reach the plants, which he added to his medical collection.
As part of a more modern legend, Shennongjia is also famous for the sightings of wild, ape-like creatures - a Chinese equivalent of the Himalayan Yeti or the North American Bigfoot. The stories are interesting, but the creatures seem to be able to distinguish between peasants and scientists -molesting the former and evading the latter. Nevertheless, there is a small base station set up in the reserve with displays of evidence of sightings. More real, but just as elusive perhaps, are species of leopard, bear, wild boar and monkey （including the endangered Golden Snub-Nosed Monkey） that reportedly inhabit the area.
Foreigners are only allowed into the area of the Shennongjia district near the town of Muyuping, 200km northwest of Yichang. There are two high peaks in the area, Shennongjiashan at 3105m and Laojunshan at 2936m. Its a 10-hour bus ride to Muyuping from Yichang, or you can take a boat to Xiangxi （five hours） on the Three Gorges and from there its a 90km ride to Muyuping. From Muyuping you will have to hire a car to get into the reserve.
Banbiyan
Banbiyan, 5 kilometres from Liaowang Tower, is famous for its stone forest and for sightings of the so-called wild man, the Chinese Yeti. The bamboo that covers the mountain and plain makes a great hiding place for anyone wanting to hang out with Bigfoot.
At nearly 2,600 metres, the grassy meadows of Banbiyan frequently play host to a colorful festival of song and dance by the locals. Custom dictates that visitors are welcomed by song. Not quite The Sound of Music, but the spectacle is a once-in-a-lifetime experience for many.
Shennongding
The pyramid-sharp Shennong Peak covers an area of about 2 square kilometres, rising from the centre to China to a height of 3105 metres above sea level. Clouds often nestle at the summit where ridges stretch on into the distance. The area is covered by tiers of fir, bamboo and azalea. The firs, as tall as 40 metres, have dense leaves on branches that block off the sunlight. The azaleas blossom pink and violet in summer. The area is also home to some rare animals including the golden monkey, white bear and antelope.
Yanzidong
Halfway up a hill just east of Yanziya lies Yanzidong, a cave famous for its golden swallows. A short 50 metre climb up from the road leads to the entrance - the cave itself heads backwards into the mountain for more than 3 kilometres. One of the few swallows that doesnt migrate seasonally, the golden swallow inhabits the cave all year round.
Standing inside the entrance, you will breathe in the damp air and watch steam rising from the walls, which gleam like glass. Above hang the birds nests, warm and dry.
Outside the cave you can watch the swallows dancing in the air, and diving in and out of their dark home.
第五篇：英文的导游词
Macau is small, turn a body, a few steps crag, from a church came to another temple; Somewhat persistent, sailed through the streets of the old, not many, but found that returned to the starting point. But can be more famous scenic spot, macau's most distinctive is, of course, the casino! It's a pity that children can't go in. We live in the hotel inside the fisherman's wharf, called les hotel, rice is a graceful British hotel, quietly located in Macao fisherman's wharf on the ends of the earth, sending out the faint and elegant breath... ... Les hotel, experience the charm of the Victorian era!
In the evening, we Shared dinner buffet at fisherman's wharf African village, (with barbecue themed restaurant in South Africa), the food is delicious! Oh, forget to introduce you to fisherman's wharf, fisherman's wharf construction in different countries, there are people in different countries to visit, it is not a single places of entertainment, but also a comprehensive liberty hall. Characteristic shops standing here, more of the type of LAN kwai fong, european-style restaurant bar. Completion and casino, hotel, later will be different elements integrated into an organic whole, like a small city. Alone, one or two hours is enough. With 24 hours a day free admission all-weather operations, beer and skittles all ages, sexes all its will.
The second day, we went to a new road, the road is the official name of the Asian American play, Lou boulevard, but Macao people call it the new road, is the main street downtown, everywhere native Portuguese traces of life.
At beginning of the new east end of the road, on both sides by a pebble into a pattern of pavement laid by flowers miniascape and upright, antique lamps and chose here, as a starting point, because the west of the road near the beach, we are coming from a far country, and finally saw not far from the waves lapping and seems to be more in line with the people's psychological needs, can feel very satisfied.
Then we went to the new yaohan, eight new yaohan layer, a second is the cosmetics, the third floor is to buy clothes, children's products for selling in the 6th floor, we will go back home to the new yaohan.
I am reluctant to go to the end of the short and happy journey!
