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第一篇：电影观后感英文
Pearl Harbor is a monstrous, costly and utterly disrespectful abomination of film with pretensions of serious emotional weight and proper historical context. With the cost of the movie comparable to the damage costs of the actual Dec. 7, 1941, attack, more attention should've been paid to the script and research instead of all the models and gasoline for an attack sequence that, while spectacular, was more appropriate for a Star Wars clone or a video game than an actual World War II-era film.
And that's about the only "positive," if you can call it that, of that hack Michael Bay's Oscar-bait project. Many history buffs have ripped the movie from the angle of historical inaccuracy and omission. Assuming that Pearl Harbor is not meant to be a documentary, but a work of historical fiction, lack of historical accuracy and comprehensiveness is by far the least significant of Pearl Harbor's problems, per se, although such blatant historical carelessness certainly starts to say a lot about the movie as a whole.
But, if Pearl Harbor's aim was to be a work of fiction, it has also miserably failed at that. It fails as literature, and it fails as a film. Pearl Harbor tries to be an amalgamation of three past classic movies on the subjects it covers: 1) From Here to Eternity, a clever and well acted telling of the stories of several characters' romantic pursuits and personal struggles right before the attack on Pearl Harbor disrupted everything, 2) Tora! Tora! Tora!, a mostly factual, well balanced depiction of the planning and execution of the actual Pearl Harbor attack with vintage cinematography, and 3) Thirty Seconds Over Tokyo, a meticulously detailed depiction of the Doolittle Raid with a schmaltzy but genuine love subplot involving one actual soldier and his wife. But Pearl Harbor falls far short of all three aforementioned films on not only their own terms, but simply as movies.
Instead of From Here to Eternity's clever dialogues and personal plot twists and romantic moments dripping alternately with irony and genuine warmth, Pearl Harbor wastes its first hour and a half of screen time setting up a sophomoric love triangle that could have been ripped straight from daytime television soap operas and trash talk shows.
The triangle involves two generically glamorous flyboys, played by Ben Affleck and Josh Hartnett, who have been friends since childhood. Even their names, Rafe McCawley and Danny Walker, are mundane. Rafe (Affleck) falls in love with a nurse who presides over his physical named Evelyn (played by Kate Beckinsale), who is also generically glamorous. Rafe and Evelyn spend the next hour or so exchanging pallid lines of dialogue that try too hard to hammer into the audience that, yes, they are in love. Sort of like Shakespeare or Petrarch without any brains and about four centuries too late. In any case, Rafe goes to Britain to fly for the Royal Air Force, where he faces serious butt-kissing from the Brits in a disgustingly patronizing depiction of both British and Americans, and gets shot down over London. But (who didn't see this coming) he lives.
But Evelyn thinks he's dead. And so does Danny (Hartnett). After the token few minutes of mourning, Danny and Evelyn fly above Hawaii and then make it like rabbits under parachutes, invoking obvious parallels to Titanic's "I'm flying" scene followed by good ol' shagging in a car backseat. More faux-sonnet dialogue follows. Then, just like clockwork, Rafe comes back, poor Evelyn is caught in the middle, and Danny and Rafe fight Jerry Springer-style. Then it gets interrupted by the spectacular but oddly fake and inhuman money siphon ... er ... I mean, attack sequence characterized by CGI copies of trapped and screaming people.
Meanwhile, Pearl Harbor occasionally alternates to shots of somber-looking Japanese spies and soldiers planning the attack, all accompanied by evil-sounding music, going out of the way to make the Japanese look like devious souls out for revenge because America wouldn't give them their oil (convenient partial reasoning). Then, in an attempt to make the Japanese appear somewhat remorseful, the script calls for Admiral Yamamoto to utter his famous "brilliant man" and "sleeping giant" lines.
After the attack, Jon Voight does a wonderful impression of Peter Sellers' Dr. Strangelove. Only problem is, he was supposed to be Franklin D. Roosevelt.
O, and as for Rafe and Danny? They've sort of made up. Heck, during the attack, they even team up to presumptuously usurp the roles of the two historical heroes of the Pearl Harbor attack, Lts. George Welch and Kenneth Taylor, who took to the skies and shot down anywhere from six to 10 Japanese planes.
Then our omnipresent plastic heroes listen in on a Top Gun-esquire rah-rah by Alec Baldwin's interpretation of Col. Jimmy Doolittle, which leads into a half-baked annotation of the historical Doolittle Raid, which has the threefold purpose of making sure our two heroes achieve good ol' American vengeance on the Japanese, to slap some convenient closure on our three-hour General Hospital episode (in case you couldn't figure it out, Danny dies, and Rafe and Evelyn live happily ever after with the parachute baby Danny Jr.), and to make me wonder why this movie was titled "Pearl Harbor" and not "Babes, Bombs and Butt-kicking," or something rather. Then the credits roll, accompanied by a pop song that sounds like a rejected idea for Titanic.
The title "Pearl Harbor" presumes that this movie is the ultimate cinematic authority on the attack. But instead it amounts to little more than a three-hour soap opera with putrid dialogue that has the gall to give credit to generic G.I. Joes for key historical roles. No other work of historical fiction has at the same time taken itself so seriously and managed to show such irreverence both for its subject and for the very craft of film-making.
第二篇：电影观后感英文
A battle with no return; A group of soldiers who share life and death; An assembly number that has not sounded; An officer who lost his identity but never gave up.
When these are combined together, everyone should understand what kind of movie this is. Yes, this is the war blockbuster directed by Xiaogang Feng-"Assembly"
When it comes to Assembly, it is really the best war film in China so far. It doesn't have the traditional heroic technique of war films, describing how great a hero is, but it restores the ruthlessness and absurdity of war. When I saw the first half, I didn't feel very good about it, because it was too bloody and cruel, and I thought that the two-hour story was always such a terrible war scene. Later, when the company commander Gu Zidi lost his brother, lost his identity and still stubbornly searched for his former troops, I was moved. I believe you must be moved by the people who have seen this film. Although he has gone through a lot of hardships, he has finally achieved his goal of self-glorifying his dead brothers and seeking justice for them. This war blockbuster does not praise Gu Zidi's strong and stubborn character and his loyalty to his friends, but we all admire Gu Zidi, which may be the success of this film.
第三篇：电影观后感英文
I like to watch The Pursuitof Happyness.
From Gardner，who realized that what I do is the real men and how to do good is the real father.
Christopher was from，I feel the child's innocence and ignorance，how is the good son.
You gotta dream，you gotta protect it. If you have a dream，you theprotection on it.
This is a great father to his son's care and educationChristopher
In many cases，we would like to see a movie may be silly to pass the time，saying that some of the good，or it may be trained to listen to hearing English spoken. This inspirational film，I look at it with the problem. What I can learn From despair to find hope.
Out of society，have no choice but to work hard，as long as solely，nothing isinsurmountable unless heaven or hell.
Christopher's cute in his ignorance and innocence which Christopher has always been the man could in his father through thick and thin，no complaints. I'm impressed the most is his father said to him "I trust you"，I think this is that they are ableto Gardner in countless ting in front of the biggest setbacks from the power and reason.
第四篇：英文电影观后感
When I was a freshman in college I watched the film Gua Sha Treatment for the first time， now I am a junior student and I e back to review the movie from a multicultural aspect， I have many different feelings after watching the film again.
At the beginning of the film， XuDatong is given an award and later he delivers a speech. What makes me impressed most is in his speech he says “one day I will bee one of you， a truly successful American， today this award proved that America is a true land of opportunity and I am the living proof of that.” At that moment Xu thinks he has realized his American Dream totally with his lovingly wife and adorable son. However， I think it is ironical that to make a speech like that and I assume it is made on purpose to hind a clue for the story’s development. How many non-American people have such a beautiful American dream? One of my classmate studies in American now and before he went aboard he told me his American dream is he can stand at the top of the New York. To be honest， I also dream that one day I can get the Green Card living there happily and successfully maybe working at the Wall Street. When Xu gets the award he thinks he entirely melted in the melting pot neglecting the multicultural obstruct， later the plot goes against the way he thinks. And later Quinlan asked Xu ‘why you be the scapegoat of your father?’ Xu answers ‘because he is Chinese.’ Then maybe Xu knows that there is always a wide gap between Chinese and American cultures.
The second scene is Xu hit his son Denis because Denis hit the son of xu’s boss， at the middle of the film xu tells his boss that he hit his own son is only to show his respect to his boss John Quinlan， that time Quinlan feels puzzled “what a Chinese logic”， yes， American can never understand such a logic full of Chinese characteristic， because they respect everyone including the children， they won’t beat a child to please the boss， and there is no such a conception of degree between employee and employer， they feel everyone is equal， which is quite different from china.
Connected to the second scene， the third difference I want to analyze is the care for the children. In America， people pay more attention to the right of children which can be seen from the law—leaving children alone at home is illegal， while in China it is so mon that almost everyone may experience such loneliness. And Children Welfare Agency does work in America which shows the importance Americans attach to children’s right. What’s more， I remember a line ‘No one won the case， especially the child.’ In my opinion， it also manifests the universal concern from the American public to the children.
The fourth aspect is following the procedure， in the film， more than there times， the people focus on the rule， the law， the procedure. At the Christmas Eve Xu wants to return back to his home pretending as a Santa Claus， what a pity， the security recognizes him and persuades ‘you are always a good tenement， never causes troubles for me.’ And another scene is at the end of the film ， the judge says ‘I have to follow the procedure.’ However， in China people always have to ask for a favor to do something， and later you have to pay back the favor ，for myself， I prefer the American style， strict to the procedure.
The fifth and the last point is the humors， Quinlan says ‘you can’t fall， your health security is the pany paid.’ ‘Datong， wele home， maybe next time， you can e from the front door.’ ‘dady， why you e from the window’ ‘ because we don’t have a chimney.’ I really adore this distinguished American humor， especially in dangerous situations， which is quite rare in China.
That’s my whole reaction to Gua Sha Treatment.
第五篇：电影观后感英语作文
Today at lunch, I watched the cartoon "Jackie Chan Adventures", the content of the story is: Jackie Chan, jade, old man, and fat pig they take a cruise to travel together, on the ship they met the pirates, Jackie Chan and jade with their own wisdom and courage, finally put the pirates to run away.
The story tells us that no matter what happens at any time, we should use our brains and be brave.
第六篇：电影观后感英语作文
Many people often use "mental illness" to scold one another. It is obversely that people always have some social prejudice on the "mental illness".
In many cases, psychopaths always refuse to be given medication. No one can deny that it is disbeneficial to them,but the problem is not so simple.We must realize that the enforced behavior against the respondents will ,such as injection of mind-altering drugs ,is highly offensive to their dignity and autonomy.
To some sufferers, the word "normal" is so boring,they really hate this,and I have to say that they also own the right to stand on their dignity!
As a final comment, I should say that no matter how terrible the people may be, they should be entitled to make decision and there is on doubt that prejudice should be avoided in society.
