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第一篇：英文导游欢迎词
Welcome to my hometown Jilin city. And I am the tour guide of China National Tourism Administration you can call me Vera. or Miss Zhang , and on my left hand is our driver Mrs. Li he have more than 20 year driving experiences, he will keep our safe.
There is a sentence in China as the saying goes regards: Construct such that the same boat spends for a century. Today we will be: Repair same car dealer's for a century. Everybody knows each other well from not being acquainted for to meeting in all of us being gone to from different place ride in in the same vehicle with a destination, this is really one kind of very marvellous and fine as well preordained relationship , lets us carry this fine preordained relationship through to the end so right away.That Little meng first here wish everybody trip to Dalian happy, hope we Dalian good mountain, good water, good tourist guide, good driver bring a portion to a portion good state of mind, make everybody with face to face Dalian expectation and long for but come with face to face Dalian satisfied and linger around but return to. Bless everybody Shu eating in Dalian finally
第二篇：英文导游欢迎词
[daxiong precious hall]daxiong precious hall was also called large buddha hall ,it is the main building in xiantong temple and also the center of the whole temple. in the hall is worshipped the horizontal buddha of the third generation . daxiong was the honorific title of sakyamuni, saying he was “a warrior fearing nothing ” the hall was built in the architectural form with the wood structure as primary part and the upper four ca-shaped roofs and lower four extending corridors as secondary ,with 108 wood columns supporting the whole large hall and the walls having only the function of shielding off the wind and resisting the cold ,when you enter the hall ,you will feel that it is very spacious .this hall occupies a land of 1.2 mu and is the largest daxiong precious hall in xutai mountain ,it is also the place for holding grand buddhist activities in the temple .this is the first feature of xiantong temple ccomplete wood structure.
[beamless hall]beamless hall is a white complete-brick architectural structure .it was built by completely laying up bricks without use of beams and hence its name “beamless hall ” ,it looks like a european cstyle building in appearance and was painted white .white represents pureness in the west ,while symbolizes the buddhist pure land and boundless brightness here .since this hall is mot supported by beams and columns ,the weight of hall top is borne by the thick and heavy wall bodies on four sides ,to form a sharp contrast with form of emulating wood structure ,and the brick-laid round columns and dipper clike arches and carved extending raves embody tyhttps://p.9136.com/1cbined chinese and west styles .the whole large hall seems to have 7 rooms when you are looking externally ,but actually it has only 3 rooms . it looks like having two floors when you are looking outdoors but ,internally , it is a one-storeyed building ,the interior of the hall adapted the form of internal dipper clike arch ,which is reduced floor by floor to form a roof style of natural vault .this large hall was built in the thirty cseventh year of wanly period , ming dynasty and has a history of nearly 400 years till now .this is the second feature of xiantong temple-architecture of complete brick structure .in the middle of hall is worshipped lushena buddha ,the body statue of the ancestor of buddha and stands duohao buddha pagoda ,the thirteen cstoreyed wood pagoda of ming dynasty, which is also the only wood pagoda in wutai mountain .beamless hall was also caked “seven-place and nine-meeting hall”, which means that sakyamuni has taught scriptures in seven places for 9 times ,therefore ,it looks like having seven rooms.[thousand alms cbowl wenshu hallthe wenshu with one thousand alms bowls ,one thousand hands and one thousand sakyas worshipped in thousand alms cbowl hall may be rated a rare rush in the casting history .it was cast in the ninth year of wanly period ,ming dynasty through designing and financing fund s by hanshan himself ,a grand master of the age .
第三篇：英文导游欢迎词
emple of Solitary Joy is located at inside west city gate of Ji County, Tianjin City. It is known for its refined architecture skill in Channel’s ancient buildings and has got the reputation of Six Best. These are: The earliest Dingshan Gate (Gate of Withstanding Hill) of the ground hall preserved now; The earliest Chiwei object on the Hill Gate preserved now; The earliest plane distribution which took pavilion as the center on the architecture plane; The biggest clay sculptured statue of eavara inside a pavilion in China; The Avalokiteavara is also the most ancient high storeyed one; The more precious fact is that the Temple of Solitary Joy has stood unscathed after thousand years of rain, snow, wind and frost and 28 big attacks, hence the most durable ancient Monastery of thousand years.
Entering the Temple , the first comes to sight is 10 m high gate, on the arch of which there hangs a horizontal inscribed board: Temple of Solitary Joy. The single eaves ground hall roof was the roof building form during the western Tsin (AD265-316) and Southern and Northern Dyansty (420-589) period, which was called Siadading in ancient time and now it is called big roof. On the two ends of the plane ridge, there are inward Chiweis. Chi denoted sparrow hawk in ancient time, which is a kind of fierce bird. The stand base of the gate is comparatively low, but the hall pinnacle is much higher above eaves and the pottery animal figures look sturdy; solemn and sturdy. There is no ceiling inside the pinnacle, therefor the painted beam and purlieus are visible. The whole piece is exquisitely wrought, simple arranged and skillfully done, for which people gasp in administration.Crossing the gate, one comes to the core building - Avalokitesvara Pavilion, 23 m in height. Form outside appearance, it is two storeyed, but inside there is a hidden storey, thus three storeyed in fact. On the eaves corners, pottery unicorns are sculptured, on which little Buddha statues ride. Copper bells are hung under eaves corners, swaying with the wind, a specially refined scene. The most attractive thing is the structure of Dougong (sets of brackets on top of the columns supporting the beams within and roof eaves without――each set consisting of tiers of outstretching arms called Gong, cushioned with trapezoidal blocks called Dou). It is made of overlapping Dougong shaped wood blocks and bow shaped horizontal wood bars by adopting 24 forms with each layer stretching out as bracket, big in upper part and small in lower part, thinly scattered, steady and sturdy. It makes eaves of the pavilion look like flying, far and deep in the sky, a beautiful and magnificent view.
Entering the Avalokitesvara Pavilion, the very sight is a huge standing Avalokitesvara Statue. If one stands by it, his height is only up to her ankle. The Statue, 16.27 m in height, is the biggest clay sculpture of Avalokitesvara in China. Two statues of attendant Bodhisattvas under the knee of Avalokitesvara are also 3 m in height. On the crown of the head of Avalokitesvara, there are 10 small Avalokitesvare’s heads, hence it is called 11 faces Avalokitesvara. Reviewing around the inner part of the pavilion, one can discover that pillars of high and low storeys are not directly linked through, but the pillars of the upper storey are ed into the arch head of that of lower storey. The upper storey of the pavilion is in a form of six corners empty well, while the lower storey is in a form of square empty well. This kind of structure is not only beautiful and strong, but also adds the space of the upper part of Budha statues. On the four walls inside the pavilion, colorful murals are painted, the theme of which is the images of 16 Arhats and 2 Ming Dynasty Emperors, which are the earliest subjects of Buddhism. On he murals, 2 m high Arhats with 3 heads and 4 arms are extremely lifelike and Ming Emperors on the four walls are full of power and grandeur. On the upper part of the murals, there are mountains, forest, cloud and river, while on the lower part, there are paintings of secular themes with vivid and natural lines, which embody the superb the skill and arts of painting of ancient Buddhism in China.
