无忧范文网小编为你整理了多篇《旅游欢迎词》范文，希望对您的工作学习有帮助，你还可以在无忧范文网网可以找到更多《旅游欢迎词》。
第一篇：旅游欢迎词
1：欢迎来到“绿色净土、生态王国”黔东南，美丽神奇的原始森林、山水景观会给你奇美的享受！
2：欢迎您来到“返璞归真、回归自然”的旅游胜地--黔东南，热情友善的苗侗人民欢迎您寻访苗乡侗寨！
3：山水秀美的林城-贵阳正以惊人的速度向数字化的生态城市发展，贵阳一定欢迎您的到来！
4：欢迎你来到中国的避暑之都-贵阳！
5：欢迎您来到夜郎故地凉都。六盘水，这里夏季平均气温不超过20度，是您避暑休闲的最佳选择。凉都人民祝您旅途愉快!
6: 这里是乌江源百里画廊、人间仙境织金洞、天然花园百里杜鹃、高原湿地草海、浓郁的彝苗风情，欢迎您观光、休闲之旅！
7：神秘的夜郎王古魔岩石刻，两亿年前的古生物王国，古朴的明代遗风屯堡文化让您流连忘返！
8：欢迎您来到有“黔之腹，滇之喉”之称的安顺！
9：欢迎您来到地处乌蒙腹地气候宜人素有天然大空调美誉的凉都六盘水！ 10：欢迎您来到“神奇乌蒙、清凉世界、洞天湖地、花海鹤乡”的毕节试验区！ 11：欢迎您来到黔南，这里拥有世界同纬度保存得最完好的喀斯特森林地貌，境内风光神秀，自然古朴！
12：欢迎您来到铜仁，这里有梵净山，十里锦江等秀丽的天然美景！
13：大西南桥头堡、古建筑博物馆、原生态植物园、多民族文化村、杂交稻发源地、抗战受降纪念地，中国怀化欢迎
您！
14：欢迎您来到中国麻业名城--益阳。
15：绿水青山蓝天，宜居宜业宜春--欢迎来到江南生态休闲城宜春！
16：欢迎您来到中国优秀旅游城市上饶市，这里四省通衢，资源丰富，生态优美，政策优惠，欢迎您来旅游投资！
17：忆井冈翠竹、观庐山风云、品景德名瓷、游婺源入画、江西红土地欢迎您！ 18：欢迎您来到博爱之都南京！
19：畅游三秦大地、领略华夏文明。陕西欢迎您！
20：秦俑军阵，第八奇迹；华清汤池，盛唐园林；奇险峻秀，西岳华山；佛指舍利，法门古刹。陕西移动欢迎您！
21；欢迎您来到青铜镜和武昌鱼的故乡―古城鄂州。鄂州移动将秉承“追求客户满意服务”的宗旨，竭诚为您服务，祝您在鄂州旅途愉快!
22；尊敬的客户,欢迎您来到被誉为青铜古都、钢铁摇篮的“江南明珠”--黄石市，黄石移动真诚为你服务，并向您致以诚挚的问候。客户服务热线10086
23；中国魅力城市、中国优秀旅游城市九江欢迎您！九江移动将竭诚为您提供服务，客户服务热线10086。中国魅力城市、中国优秀旅游城市九江欢迎您！九江移动将竭诚为您提供服务，客户服务热线10086。
第二篇：旅游节开幕式欢迎词
旅游节开幕式欢迎词
（**年*月*日）
尊敬的各位领导、各位嘉宾，
女士们、先生们，
新闻界的朋友们：
草长莺飞四月丰阳春意盎然，雄奇秀险巍巍天竺魅力无限。在这个鸟语花香、山水换妆的仲春时节，我们迎来了第二届中国秦岭生态旅游节暨天竺山国家森林公园开园活动开幕式在我县隆重举行，这是全省全市乃至我县旅游界的一件大事。在此，我代表县上四套班子和45万人民对各级领导、各界朋友亲临我县参加活动表示热烈的欢迎！向第二届中国秦岭生态旅游节的开幕和天竺山国家森林公园活动仪式的举办表示衷心的祝贺！
**县位于陕西东南部，地处秦岭南麓，属长江流域汉江水系，境内旅游资源十分丰富，资源种类齐全，集生态旅游、体验民俗、休闲娱乐、科研考古、问道探险等于一体，各具特色，极具吸引力，形成了以国家级森林公园天竺山为轴心的鹘岭山系旅游资源分布区、以省级风景名胜区月亮洞为龙头的金钱河百里旅游资源分布区、以漫川古镇为载体的人文旅游资源分布区的三大旅游资源区。天竺山景区位于**县城东南部30公里处，总面积50.8平方公里，海拔2073.98米，景内山势陡峭，风光秀丽，景色宜人，既有伴山之雄伟，又有武当之灵秀，其山险、峰秀、地特、林茂的独特生态资源，道佛交替、源远流长的人文景观弛名省内外，
12008年被国家批准为国家级森林公园。
近年来，我们抢抓关天经济区、西安一小时经济圈和交通区位诸多优势，及时确立并实施“旅游活县”战略，坚持政府主导、市场运作、梯次开发、精品带动的工作思路，举全县之力打造天竺山国家森林公园精品景区，加快景区基础设施建设，完善旅游服务体系，培育旅游文化，开发旅游产品，旅游要素不断丰富，目前，天竺山国家森林公园已成为秦岭生态旅游区的一颗璀璨明珠，今天我们相约大秦岭，走进天竺山，身临天竺感受神奇美妙的自然风光，共赏天竺美景、同谋旅游发展，让我们携起手来为秦岭生态旅游的发展贡献力量。同时，希望各级领导、各界朋友关注**，了解**，走进**，积极参与**旅游事业的发展。
最后，衷心祝愿第二届中国秦岭生态旅游节圆满成功！恭祝各位领导、各位嘉宾、各界朋友在山期间身体安康，心情愉快！
第三篇：英文导游欢迎词
emple of Solitary Joy is located at inside west city gate of Ji County, Tianjin City. It is known for its refined architecture skill in Channel’s ancient buildings and has got the reputation of Six Best. These are: The earliest Dingshan Gate (Gate of Withstanding Hill) of the ground hall preserved now; The earliest Chiwei object on the Hill Gate preserved now; The earliest plane distribution which took pavilion as the center on the architecture plane; The biggest clay sculptured statue of eavara inside a pavilion in China; The Avalokiteavara is also the most ancient high storeyed one; The more precious fact is that the Temple of Solitary Joy has stood unscathed after thousand years of rain, snow, wind and frost and 28 big attacks, hence the most durable ancient Monastery of thousand years.
Entering the Temple , the first comes to sight is 10 m high gate, on the arch of which there hangs a horizontal inscribed board: Temple of Solitary Joy. The single eaves ground hall roof was the roof building form during the western Tsin (AD265-316) and Southern and Northern Dyansty (420-589) period, which was called Siadading in ancient time and now it is called big roof. On the two ends of the plane ridge, there are inward Chiweis. Chi denoted sparrow hawk in ancient time, which is a kind of fierce bird. The stand base of the gate is comparatively low, but the hall pinnacle is much higher above eaves and the pottery animal figures look sturdy; solemn and sturdy. There is no ceiling inside the pinnacle, therefor the painted beam and purlieus are visible. The whole piece is exquisitely wrought, simple arranged and skillfully done, for which people gasp in administration.Crossing the gate, one comes to the core building - Avalokitesvara Pavilion, 23 m in height. Form outside appearance, it is two storeyed, but inside there is a hidden storey, thus three storeyed in fact. On the eaves corners, pottery unicorns are sculptured, on which little Buddha statues ride. Copper bells are hung under eaves corners, swaying with the wind, a specially refined scene. The most attractive thing is the structure of Dougong (sets of brackets on top of the columns supporting the beams within and roof eaves without――each set consisting of tiers of outstretching arms called Gong, cushioned with trapezoidal blocks called Dou). It is made of overlapping Dougong shaped wood blocks and bow shaped horizontal wood bars by adopting 24 forms with each layer stretching out as bracket, big in upper part and small in lower part, thinly scattered, steady and sturdy. It makes eaves of the pavilion look like flying, far and deep in the sky, a beautiful and magnificent view.
Entering the Avalokitesvara Pavilion, the very sight is a huge standing Avalokitesvara Statue. If one stands by it, his height is only up to her ankle. The Statue, 16.27 m in height, is the biggest clay sculpture of Avalokitesvara in China. Two statues of attendant Bodhisattvas under the knee of Avalokitesvara are also 3 m in height. On the crown of the head of Avalokitesvara, there are 10 small Avalokitesvare’s heads, hence it is called 11 faces Avalokitesvara. Reviewing around the inner part of the pavilion, one can discover that pillars of high and low storeys are not directly linked through, but the pillars of the upper storey are ed into the arch head of that of lower storey. The upper storey of the pavilion is in a form of six corners empty well, while the lower storey is in a form of square empty well. This kind of structure is not only beautiful and strong, but also adds the space of the upper part of Budha statues. On the four walls inside the pavilion, colorful murals are painted, the theme of which is the images of 16 Arhats and 2 Ming Dynasty Emperors, which are the earliest subjects of Buddhism. On he murals, 2 m high Arhats with 3 heads and 4 arms are extremely lifelike and Ming Emperors on the four walls are full of power and grandeur. On the upper part of the murals, there are mountains, forest, cloud and river, while on the lower part, there are paintings of secular themes with vivid and natural lines, which embody the superb the skill and arts of painting of ancient Buddhism in China.
